March 23 is the fifth day of the Quinquatria. A five day Roman festival to honor Minerva which coincides with the five day Ancient Greek festival to honor Athena – her Greek counterpart. Here is a ritual designed for group participation. It can, however, be modified for the solitary practitioner.
- Colors: Blue and brown
- Elements: Air and earth
- Altar: Upon a brown cloth light five blue candles, incense, and many tools of the crafter.
- Offerings: Make something.
- Daily Meal: Let those whose craft is cooking or baking make what they will as an offering.
Quinquatria Invocation III
Bones and clay of earth,
Flesh of trees and vines,
Thread from plant and animal,
Metal drawn from the ground
And forged in fire,
Our hands are midwives
To these unformed substances,
Given to us by the grace of the Mother,
As She gifts all her children.
We birth creations of beauty
That bring a smile to the eye,
We birth creations of usefulness
Made to be seized and worked day after day,
Fitting easily into the hand
That uses them unthinkingly.
Oh, ye many gods of the sacred touch,
Grant us the power to make manifest
With these our own humble hands.
(All approach the altar and select a tool, and speak their intentions towards it. Tools are then taken outside and laid on the Earth, and the Tool Blessing is said over them. Then, for the rest of the day, craftwork will be done, or things made or repaired.)
Tool Blessing (to be spoken or chanted or sung):
Father Labor, Mother Survival,
All brown gods of work and sweat;
Strong of arm, feet on Earth,
Bless this tool in Earth I set;
Sharp and keen, firm and fine,
Never break and never bend;
Be my strength, aid my skill,
Fill my hand and be my friend.
Found in: Pagan Book of Hours
Our recipe this week is straight out of the pages of Roman literature. Moretum is a delicious spread similar to our pesto—and the Roman poet Virgil was apparently a big fan!
The word “moretum” is Latin and is usually translated as “salad,” but that’s not really an accurate translation. It’s not a salad at all, at least not what we think of as salad in modern times. It’s a sort of spread or dip. Virgil is most often credited with the recipe. In his poem entitled “Moretum” he tells the story of Symilus, a peasant farmer, who is making his morning meal. He first makes the bread, but quickly realizes he has no meat to go along with the crusty creation. Concerned that man cannot survive on bread alone, he decides to make an accompaniment for his baked good. Virgil then describes the process by which Symilus makes his moretum. Both the bread and moretum-making are described in detail in the poem, but here is a little summary of the important moretum highlights, courtesy of Pass the Garum blog:
- Symilus gathers four heads of garlic (!), celery, parsley, rue, and coriander seeds.
- He grinds the garlic in his mortar and pestle, and adds salt and cheese.
- He then adds the celery, rue, parsley, and coriander seeds. The smell is so strong that it makes his eyes water!
- He adds some olive oil, finishes off the mixture, and slaps some on his freshly baked bread.
There are a couple of things about this recipe we will not be replicating in the recipe below. For one thing, there is an awful lot of garlic. We’re going to tone that down a bit, but feel free to pile it on if you’re a garlic fan. The Romans loved garlic. They believed it increased “strength and endurance” and so it was fed to “soldiers and sailors.”
It was also believed to “clean the arteries” and guard against toxins and infections. Today we know that garlic is often effective in treating and preventing many different ailments including, but not limited to, blood and heart conditions, some types of cancer, diabetes and even the common cold and flu.
More important than the potential overuse of garlic, rue is poisonous. However, rue is not altogether bad. In fact, it contains alkaloids that made it a useful treatment for indigestion during this time period (1st century BCE). But it also strongly influences the female menstrual cycle so pregnant women should definitely not consume it. We chose a recipe that leaves it out altogether.
Now that we’ve explored some history and cut out the dangerous ingredients, it’s time for a pesto party! Bake (or buy) a loaf of delicious bread to eat with your moretum and have some friends over for a night of Roman cuisine.
Roman Garlic Pesto (Moretum)
- 1 clove of garlic
- 1/2 of a celery stick (with its leaves)
- A small bunch of flat-leaf parsley
- 1 tablespoon of coriander seeds
- A pinch of salt
- Some aged pecorino cheese (approx. 8 ounces), feta is also a popular option
- 1 teaspoon of extra virgin olive oil
- A splash of vinegar
Peel the garlic, add to the mortar and grind.
Add the salt, the cheese and the celery to the mortar and mash them up too. Really make sure to mix them well with the garlic from earlier.
To this paste, add the coriander seeds, parsley, oil and vinegar. I find that it is helpful to add the parsley in batches and break it down bit by bit rather than trying to do it all at once and making a mess. Test for flavor – if it is too garlicky, add more parsley.
Grab some bread and dip or spread ‘til your heart’s content!
From: Antiquity Now
In Ancient Roman religious tradition, The Hilaria (Greek: ἱλάρια; Latin: hilaris, “hilarious”) were festivals celebrated on the vernal equinox to honor Cybele, the mother of the Gods. The Romans took this feast originally from the Greeks, who called it ΑΝΑΒΑΣΙΣ, (Ascensus)
The day of its celebration was the first after the vernal equinox, or the first day of the year which was longer than the night (usually March 22) . The winter with its gloom had died, and the first day of a better season was spent in rejoicings.
The manner of its celebration during the time of the republic is unknown, except that Valerius Maximus mentions games in honor of the mother of the gods. Respecting its celebration at the time of the empire, we learn from Herodian that, among other things, there was a solemn procession, in which the statue of the goddess was carried, and before this statue were carried the most costly specimens of plate and works of art belonging either to wealthy Romans or to the emperors themselves.
All kinds of games and amusements were allowed on this day; masquerades were the most prominent among them, and everyone might, in his disguise, imitate whomsoever he liked, and even magistrates.
Here is a nice ritual to honor Cybele on her day from the Pagan Book of Hours:
- Color: Golden
- Element: Fire
- Altar: Upon a golden cloth set five gold candles, a chalice of wine, the figure of a lioness, and a crown resembling a turreted city.
- Offerings: Lions, herbs, wild game, music.
- Daily Meal: Game birds, such as turkey, goose, pheasant, or quail. Moretum – here’s recipe: Ancient Roman Garlic Pesto.
Great Lady of the City
Protector of Civilization
Inspirer of music in the city streets
And in the high houses,
Queen upon your throne,
Guard the lands of stone and metal
Where the feet of thousands tread.
Great Lady of the Wilderness
Protector of the Wild Things
Inspirer of music in lonely places
And in the deep metro’ons,
Lioness who hunts your prey,
Guard the beleaguered lands of untouched Nature
Where few feet tread
Save for the children of Earth whose steps belong there.
You who understand both worlds,
Do not let us forget
That both are valued in your eyes
That both hold promise and treasure
And that we must learn to live in both
If we are to survive.
(Beat drum and clash cymbals during chanting.)
Magna Mater Cybele Cybele
In the Roman calendar, March was sacred to Mars. The “jumping priests,” or Salii began the Festival of the Salii on March 21 with a purification of the sacred trumpets that the Romans carried off to war. That date was originally the Roman New Year’s Day because it was the start of the growing and campaign season.
On March 21, the Salii marched to the Regia taking the bronze Ancilia, the sacred shield that had fallen down from heaven, and its 11 copies. They danced through the streets carrying poles with the shields mounted on them in their left hands. With their other hand, they banged the shields with a drumstick. Even in the time of Cicero, the Carmen Saliare they sang was so ancient that he could not understand it.
At the end of each night, they would stop at a place to be feasted before starting up again the next day. This festival would end on March 24 when they would return to the Regia and return the shields.
Found at Wikipedia
- Mar 21
Key word: Brave
According to some astrological traditions, it is said that if you were born on March 21st, you were born under the sign of the Oak tree. Persons born under this sign tend to have a robust nature. They are courageous, strong, unrelenting, independent, sensible, do not like change, keep their feet on the ground, a person of action.
March 21 is the third day of the Quinquatria. A five day Roman festival to honor Minerva which coincides with the five day Ancient Greek festival to honor Athena – her Greek counterpart. Here is a ritual designed for group participation. It can, however, be modified for the solitary practitioner.
- Color: Blue
- Element: Air
- Altar: Upon a blue cloth lay many musical instruments, blue candles, a clear glass bowl of water, and a fan made from a bird’s wing.
- Offerings: Song and music.
- Daily Meal: Light vegetarian meal.
Quinquatria Invocation II
(to be sung)
Hail Athena, true and bright,
Sharp your blade and keen your sight,
Goddess of a Thousand Works,
Giver of the soul in flight.
Guide our touch as we reach out,
Weaver, crafter, artisan,
Guide our urge to build and make,
Guide the power of our hands.
Mentor, teacher, patient tutor,
Maker of heroes through the years
In the epic glance of history,
Giving sight to blinded seers,
Giving purpose to the wanderer,
Giving courage to the weak,
We beseech you, armored Lady,
By the Word of Power you speak,
Like the wind that blows so cold
And bright and clear through minds of grey,
Stand beside us when we falter,
Sweep our weakness clean away.
(The rest of the day should be spent in song, whatsoever has been chosen by the community as the absolute best that they can do, as an offering. Songs can be solo offerings, or as a group. Those who wish to give private offerings can play instrumental music after the main group has left.)
Found in: Pagan Book of Hours
Also known as: Oestre, Easter, the Spring Equinox, Vernal (Spring) Equinox, Alban Eiler (Caledonii), Méan Earraigh
- March 20 – 23 Northern Hemisphere
- September 20 – 23 Southern Hemisphere
This is the official return of the young Goddess after her Winter hibernation. As with the other Equinox and the Solstices, the date of this festival may move slightly from year to year, but many will choose to celebrate it on 21 March.
The Spring Equinox is the point of equilibrium – when light and darkness are in balance but the light is growing stronger. The balance is suspended just before spring bursts forth from winter. Night and day are of equal length at the equinox, the forces of male and female are also in balance. Ostara is a festival of balance and fertility.
In keeping with the balance of the Equinox, Oestara is a time when we seek balance within ourselves. It is a time for throwing out the old and taking on the new. We rid ourselves of those things which are no longer necessary – old habits, thoughts and feelings – and take on new ideas and thoughts. This does not mean that you use this festival as a time for berating yourself about your ‘bad’ points, but rather that you should seek to find a balance through which you can accept yourself for what you are.
It is also a celebration of birth and new life. A day when death has no power over the living.
Spring has arrived, and with it comes hope and warmth. Deep within the cold earth, seeds are beginning to sprout. In the damp fields, the livestock are preparing to give birth. In the forest, under a canopy of newly sprouted leaves, the animals of the wild ready their dens for the arrival of their young. Spring is here.
It is no coincidence that the name for this sabbat sounds similar to the word ‘Easter’. Eostre, or Ostara, is an Anglo-Saxon Dawn Goddess whose symbols are the egg and the hare. She, in turn, is the European version of the Goddess Ishtar or Astarte, whose worship dates back thousands of years and is certainly pre-Christian. Eostre also lives on in our medical language in the words ‘oestrous’ (the sexual impulse in female animals) and ‘oestrogen’ (a female hormone).
Today, Oestara is celebrated as a spring festival. Although the Goddess put on the robes of Maiden at Imbolg, here she is seen as truly embodying the spirit of spring. By this time we can see all around us the awakened land, the leaves on the trees, the flowers and the first shoots of corn.
There is some debate as to whether Oestara or Imbolg was the traditional time of spring cleaning, but certainly the casting out of the old would seem to be in sympathy with the spirit of this festival and the increased daylight at this time encourages a good clean out around the home.
The Easter Bunny also is of Pagan origin, as are baskets of flowers. Brightly colored eggs represent the child within.
Traditionally, Ostara is a time for collecting wildflowers, walking in nature’s beauty and cultivating herb gardens. Half fill a bowl with water and place a selection of flowers into it for display in a prominent position in your home.
This is the time to free yourself from anything in the past that is holding you back.
And frosts are slain and flowers begotten,
And in green underworld and cover
blossom by blossom the spring begins.
~Algernon Charles Swinburne
Méan Earraigh marks the spring equinox, when night and day are of equal length and spring officially begins. Birds begin their nesting and egg-laying, and eggs–symbolic of rebirth, fertility, and immortality–are tossed into fresh furrows or eaten by ploughmen. They are also carried by those engaged in spring planting.
A charming custom is painting eggs with symbols and pictures of what one wishes to manifest in the coming year. The eggs can then be buried in the Earth Mother, who hears the cries and dreams of her children. In some communities, eggs are hidden in the stores of seed grain and left there all season to bless the sowing and encourage the seeds to sprout. Dressed as mummers, “pace-eggers” go from house to house and demand eggs and coins in return for a short performance. Men and women exchange clothing for the show.
The eggs given to the pace-eggers have been wrapped in leaves, roots, flowers, and bark before boiling, to impart color. Later the eggs are used in games, such as attempting to strike an opponent’s legs. The eggs might be hidden or rolled down hillsides, after which they are eaten. Blood, ashes from sacred fires, fistfuls of salt, or handfuls of soil from a high mountaintop are scattered on the newly sown fields.
Offerings of food and milk are left for the faeries and other spirits who live in and around rocks and are responsible for the fertility of the land. A few fruits from the previous year’s harvest are left for the nature spirits. Sacred hilltops are visited, and picnics of figs, fig cakes, cider and ale are enjoyed. The figs are symbolic of fertility, the leaf being the male element and the fruit the female.
You can also celebrate the arrival of spring with flowers. Bring them into your own home and give them to others. You do not have to spend a lot of money – one or two blooms given for no other reason than ‘spring is here’ can often bring a smile to even the most gloomy face.
A traditional Vernal Equinox pastime is to go to a field and randomly collect wildflowers (thank the flowers for their sacrifice before picking them). Or, buy some from a florist, taking one or two of those that appeal to you. Then bring them home and divine their Magickal meanings by the use of books, your own intuition, a pendulum, this post on the Magickal Meanings of Flowers, or by other means. The flowers you’ve chosen reveal your inner thoughts and emotions.
In the druidic tradition, Aengus Og is the male deity of the occasion. Son of In Dagda and Boand, he was conceived and born while Elcmar, Boand’s husband, was under enchantment. When three days old, Aengus was removed to be fostered by Midir, god of the Otherworld mound at Bri Leith, with his three hostile cranes. These birds guarded the mound and prevented the approach of travelers, and were said to cause even warriors to turn and flee.
Make an Altar to Ostara.
Ostara, the ancient German Virgin Goddess of Spring, loves bright colors. The light pastels of spring are perfect offerings for Ostara. To represent earth on your altar, choose bright or pastel colored stones like Rose Quartz, Amethyst, or any of the Calcites (blue, red, yellow, or green). If you have some Citrine, be sure to include it. Citrine has long been an aid for mental clarity.
By including an offering of colored eggs on your altar, you will be taking part in an ancient tradition (still performed!) by the Germanic people. Ostara has been honored this time of year with painted eggs for centuries.
To symbolize fertility, in addition to the eggs, you can include seeds or rice on your altar. I like to use rice as a symbol for fertility on my altars.
Incense and feathers are perfect symbols for air on your altar. It is important for Ostara’s altar that you include a symbol for air because Ostara herself is the living symbol for Air. (This must be the way Ostara and Easter became associated with birds, i.e. chickens) Be sure to burn incense at your altar when you are dedicating it to bring in the energy and vibrational qualities of Ostara.
The perfect time to dedicate your altar is at dawn. Choose a day, then plan to dedicate your altar to Ostara at dawn’s first light by lighting incense and repeating an invocation to her as well as a prayer of thanksgiving for all that Ostara symbolizes in your life:
- A clear mind.
- New beginnings.
- Personal renewal.
- Fertility, either for the purpose of bearing a child or for creativity such as arts and crafts, writing, or decorating.
You can include anything you like on your altar to Ostara. You will know by how you feel if an item is appropriate or not. I believe it is important to include symbols for the four elements on my altars. The four elements are Fire, Earth, Air, and Water. The four Calcites on my altar (red/fire, green/earth, yellow/air, and blue/water) represent Mother Earth and the four elements. I have added feathers and other items that symbolize Ostara to my altar as offerings to her.
Last, but not least, it might be nice to include a figure of a rabbit. The rabbit is Ostara’s power animal. I am sure this is because of their propensity for fertility.
March 17 commemorates Saint Patrick, the patron saint and national apostle of Ireland, and the arrival of Christianity in Ireland. In addition, this day also celebrates the heritage and culture of the Irish in general.
Celebrations generally involve public parades and festivals, céilithe (Irish traditional music sessions), and the wearing of green attire or shamrocks. There are also formal gatherings such as banquets and dances, although these were more common in the past. St Patrick’s Day parades began in North America in the 18th century but did not spread to Ireland until the 20th century.
The participants generally include marching bands, the military, fire brigades, cultural organisations, charitable organisations, voluntary associations, youth groups, fraternities, and so on. However, over time, many of the parades have become more akin to a carnival. More effort is made to use the Irish language; especially in Ireland, where the week of St Patrick’s Day is “Irish language week”. Recently, famous landmarks have been lit up in green on St Patrick’s Day.
Christians also attend church services and the Lenten restrictions on eating and drinking alcohol are lifted for the day. Perhaps because of this, drinking alcohol – particularly Irish whiskey, beer or cider – has become an integral part of the celebrations.
The St Patrick’s Day custom of ‘drowning the shamrock‘ or ‘wetting the shamrock‘ was historically popular, especially in Ireland. At the end of the celebrations, shamrock is put into the bottom of a cup, which is then filled with whiskey, beer or cider. It is then drank as a toast; to St Patrick, to Ireland, or to those present. The shamrock would either be swallowed with the drink, or be taken out and tossed over the shoulder for good luck.
In every household the herb is placed upon the breakfast table of the master and the mistress, who “drown the shamrock” in generous draughts of whiskey, and then send the bottle down into the kitchen for the servants.
On St Patrick’s Day it is customary to wear shamrocks and/or green clothing or accessories (the “wearing of the green”). St Patrick is said to have used the shamrock, a three-leaved plant, to explain the Holy Trinity to the pagan Irish. This story first appears in writing in 1726, though it may be older.
Long before the shamrock became associated with St. Patrick’s Day, the four-leaf clover was regarded by ancient Celts as a charm against evil spirits.
In pagan Ireland, three was a significant number and the Irish had many triple deities, a fact that may have aided St Patrick in his evangelisation efforts. Patricia Monaghan says there is no evidence that the shamrock was sacred to the pagan Irish. However, Jack Santino speculates that it may have represented the regenerative powers of nature, and was recast in a Christian context—icons of St Patrick often depict the saint “with a cross in one hand and a sprig of shamrocks in the other”. Roger Homan writes, “We can perhaps see St Patrick drawing upon the visual concept of the triskele when he uses the shamrock to explain the Trinity”.
In the early 1900’s, O. H. Benson, an Iowa school superintendent, came up with the idea of using a clover as the emblem for a newly founded agricultural club for children in his area. In 1911, the four-leaf clover was chosen as the emblem for the national club program, later named 4-H.
The color green has been associated with Ireland since at least the 1640’s, when the green harp flag was used by the Irish Catholic Confederation. Green ribbons and shamrocks have been worn on St Patrick’s Day since at least the 1680s. The Friendly Brothers of St Patrick, an Irish fraternity founded in about 1750, adopted green as its color.
However, when the Order of St. Patrick—an Anglo-Irish chivalric order—was founded in 1783 it adopted blue as its color, which led to blue being associated with St Patrick. During the 1790’s, green would become associated with Irish nationalism, due to its use by the United Irishmen. This was a republican organisation—led mostly by Protestants but with many Catholic members—who launched a rebellion in 1798 against British rule.
The phrase “wearing of the green” comes from a song of the same name, which laments United Irishmen supporters being persecuted for wearing green. Throughout the 19th and 20th centuries, the color green and its association with St Patrick’s Day grew.
The wearing of the ‘St Patrick’s Day Cross’ was also a popular custom in Ireland until the early 20th century. These were a Celtic Christian cross made of paper that was “covered with silk or ribbon of different colors, and a bunch or rosette of green silk in the center”.
The most popular of the many legends about St. Patrick is the one which credits him for having driven all the snakes and vermin out of Ireland.
Here’s an old old poem about it:
There’s not a mile in Ireland’s isle
where the dirty vermin musters;
Where’er he put his dear forefoot
he murdered them in clusters.
The toads went hop, the frogs went flop,
slap dash into the water,
And the beasts committed suicide to
save themselves from slaughter.
Nine hundred thousand vipers blue
he charmed with sweet discourses.
And dined on them at Killaloo
in soups and second courses.
When blindworms crawling on the grass
disgusted all the nation,
He gave them a rise and opened their eyes
to a sense of the situation.
The Wicklow Hills are very high, and
so’s the Hill of Howth, sir;
But there’s a hill much higher still—ay,
higher than them both, sir;
‘Twas on the top of this high hill St.
Patrick preached the sarmint
That drove the frogs into the bogs and
bothered all the varmint.
About St Patrick
Patrick was a 5th-century Romano-British Christian missionary and bishop in Ireland. Much of what is known about Saint Patrick comes from the Declaration, which was allegedly written by Patrick himself. It is believed that he was born in Roman Britain in the fourth century, into a wealthy Romano-British family. His father was a deacon and his grandfather was a priest in the Christian church.
According to the Declaration, at the age of sixteen, he was kidnapped by Irish raiders and taken as a slave to Gaelic Ireland. ] It says that he spent six years there working as a shepherd and that during this time he “found God”. The Declaration says that God told Patrick to flee to the coast, where a ship would be waiting to take him home. After making his way home, Patrick went on to become a priest.
According to tradition, Patrick returned to Ireland to convert the pagan Irish to Christianity. The Declaration says that he spent many years evangelising in the northern half of Ireland and converted “thousands”. Patrick’s efforts against the druids were eventually turned into an allegory in which he drove “snakes” out of Ireland (Ireland never had any snakes).
Tradition holds that he died on 17 March and was buried at Downpatrick. Over the following centuries, many legends grew up around Patrick and he became Ireland’s foremost saint.
What many people don’t realize is that the serpent was actually a metaphor for the early Pagan faiths of Ireland. St. Patrick brought Christianity to the Emerald Isle, and did such a good job of it that he practically eliminated Paganism from the country. Because of this, some modern Pagans refuse to observe a day which honors the elimination of the old religion in favor of a new one. It’s not uncommon to see Pagans and Wiccans wearing some sort of snake symbol on St. Patrick’s Day, instead of those green “Kiss Me I’m Irish” badges.
- Other names: Damballah Weddo, Da, Papa Damballa, Obatala
- Holiday: March 17 (St. Patrick’s Day)
Associated Catholic Saint Patrick (who drove the snakes out of Ireland), and sometimes also Moses, whose staff transformed into a snake to prove the power of God over that wielded by Egyptian priests, Damballah is the primordial snake Iwa of life, wealth and wisdom. He is venerated in Dahomey as well as Haitian Vodou. He may also survive in the New Orleans folk saint Blanc Dani.
He is one of the most important of all the loa, Damballa is the Sky Father and the primordial creator of all life. He rules the mind, intellect, and cosmic equilibrium. Damballa, as the serpent spirit and “The Great Master”, created the cosmos by using his 7,000 coils to form the stars and the planets in the heavens and to shape the hills and valleys on earth. By shedding the serpent skin, Damballa created all the waters on the earth.
Read more about him here: Damballah
For a very traditional offering, make a bed or hill of white flour on a perfectly clean, pure white plate. Nestle one whole, raw white egg into the center of the flour and serve.
Other offerings could include white candles and white foods like rice, milk, whole raw eggs (leave them plain or rub gently with rose or other mildly scented, fine quality floral water), corn syrup, white chickens, or white flowers. More lavish offerings might include luxurious white fabrics, crystal or porcelain eggs and/or snakes.
He is a stickler for cleanliness. He doesn’t like strong, pervasive odors of any kind, but especially tobacco. If you smoke, then do so far from his altar space or anywhere associated with him. He may object to cleaning products with strong odors too, as well as air fresheners with strong aromas. Rooms should smell clean and fresh. Open a window to aerate them. He does not object to light floral odors, like rose or orange blossom water, and traditionally expresses a fondness for Pompeii Lotion, a cologne product found in botanicas and spiritual supply stores.
From: Encyclopedia of Spirits