The Dance of the Devils (La danza de los diablos) is a dance performed in Costa Chica, the Pacific coast of Guerrero and Oaxaca in Mexico. As part of the ‘Day of the Dead’ festivities celebrated on the last days of October and the first days of November in Mexico. Its purpose is not so much to terrify however as to amuse and draw the community together while paying reverence to the spirits of the dead on the Day of the Dead.
Men dressed in rags and high boots perform the Dance of the Devils in Afro-Mexican communities. During these celebrations young men dress up as cowboys or as dead people, in which case they wear dusty clothes covered with terrain (to represent the passage of time and the fact of being buried underground). Their faces are covered with masks made of leather or paper with long beards and hair. A black beard represents a young devil, a white beard represents an old one. A small pair of goat or deer horns crowns the mask.
The men dance through different villages on All Souls Day, making noise and playing with children and young people by flogging them with a whip.
An elder diablo called el Terron, and a female diabla called la Minga, who carries a baby doll, lead the dancers. The elder diablo plays and whips the other diablos into dancing and chases la Minga around with the whip because she interrupts the concentration of the devil dancers. One way that la Minga attempts to disrupt the other dancers is by seduction, the Minga also tries to give her doll, which is a symbol of her productive power, to the dancers or to anyone in the audience, seeking a father to her ‘baby’.
The face of the men performing the dance is covered with a leather deer mask with horns and An elder devil, called Tenango, whips the other devils during this performance. Groups of 24 dancers (the devils) stomp and twirl in rows or circles along the streets; eventually, they stop at the houses where the owner gives them money or food for dancing.
Origins of the Dance of the Devils:
The Dance of the Devils is part of the ceremonial commemoration of the dead. It is a celebration of colonial origin, which was introduced by the black people of the Costa Chica of Guerrero and Oaxaca, who were brought there as slaves by the Spanish colonizers to work in mines, cotton plantations and cattle ranches.
From Río Grande, in the town of Tututepec, on the Oaxacan coast, to Tenango, in the municipality of Azoyú, to the north, this dance recalls the past times when ranchers or cowboys used the whip as well as trumpet to groups of wild cattle in order to force them to cross the Sierra Madre del Sur, to reach the plateau and sell the animals.
The Devils in the Mexican dance also use the whip, and behave according to the cowboy stereotype, that is, as brave and strong man. This performance, however, is also a historical memory, which becomes a ritual memory to the black population which was an intermediate caste, between the indigenous and the white land owners.
The black population who arrived in Mexico from very different lands such as Africa and the Antilles, bringing different languages and cultures, could not recreate a black culture of African traits, as could happen instead, to various degrees, in other Afro-American regions. These people therefore in their segregation from festivities and public celebrations organized by the masters of the haciendas, used to perform their own festivities secretly, by performing rituals to their African gods, playing drums and dancing.
At the same time, however, they borrowed elements of some indigenous and Catholic traditions and readopted them – with imagination and joy – to overcome the pain of domination and the humiliation of banishment.
It is no coincidence that the celebration of their ancestors is performed through the cowboy/devil figure. In this dance the ritual action harmonizes gestures and words. Devils are the dead who revive to do mischief, to steal, to sow fear and laughter. The dance could also be called the ‘Devil’s Game’, a game designed to laugh at the forbidden: a capataz (a boss), a bad mother, or a violent and bossy father.
The function of the Dance of the Devils, from a social aspect, is to cleanse and protect the community from spirits that carry evil energy. It can be viewed a way to control evil. In a sense, the dance is used to call the tono spirits of the ancestors to heal the community similar to the way an individual might be healed; the masks and the boite drum call the spirits and the dance is the mode of healing. Trance possession, another traditional healing mode, is also part of these dances, as a means to form a connection between the spiritual and material.
The dancers use their bodies to bring the spirits and form a bond between them and the community. “As they dance, they create an aura, which begins to rise and cover everyone who is sitting there. ” Even the children will come and sit quietly and watch. The force, she says, starts in the dancers’ hands and continues through their feet, legs, hips, shoulders, and faces until they are entirely transformed. The wearing of the tono masks allows them to achieve a more powerful transformation.
About The Dance:
The dance itself is strikingly similar to the egungun dances of West Africa; the performance is a form of ancestor reverence, and similar dances that may be seen throughout the Diaspora (the dispersion of the people from their original homeland). While the Dance of the Devils occurs within a context that includes European and Native influences, the core of the dance, its meaning and specific elements, are African.
The Dance of the Devils can be traced to Europe during the Middle Ages, but according to an Afro-Mestizo elder, the devils are spirits of the dead and not devils in search of souls. They are actually ancestral spirits whose presence is celebrated and encouraged. Similar to a dance performed by the Abakua in Cuba, dressing as a diablo (devil) symbolizes the willingness to allow the spirit to possess your body.
The egungun masquerades of West Africa are, like the Dance of the Devils, performed as part of a feast of the dead. Masks are worn which represent the dead, symbolically, but not as individual persons; flogging with whips is intended to promote growth and maturity in young men and fertility in women. The egungun dances were a strong social force in the societies where they originated, especially in times of unrest or external threat.
Another similarity is that while only men generally perform the dances, there is often at least one woman who either participates on some level or teaches the dance.
It has been suggested that the presence of the whip is a reference to the relationship between the former slaves and their overseers. However, the presence of flogging in the egungun dances of West Africa, when compared to Nana Minga and her baby, suggests that flogging is another African retention and bears its original symbolic meaning of fertility and protection against evil spiritual energy.
The dance being performed on the Day of the Dead leads one to think that the dance relates to the supernatural world of the spirits. The fact that the dancers dress in cowboy clothes and wear masks made of horse hair may be interpreted to mean that the dance represents the spirits of dead cowboys, the employment of many of the Afro-Mestizos cimarron ancestors. However, the masks, which appear animal-like, may in fact represent the tono spirits of ancestors, an idea supported by the presence of the boite drum.
The boite or bute, is a large gourd with a goatskin head; the drum is played by moving a stick through a hole in the center to create a vibration, not by striking. It is very similar to a drum used by the Abakua, an all-male secret society in Cuba, and is described in a similar fashion, as having the voice of a big cat, a leopard or jaguar, because of the roaring sound it makes.
When attempting to heal someone of sickness Afro-Mestizos call the animal tono of the sick person. Finding the person’s tono is a way to determine if the sickness is caused by the animal’s death. Healers in attempt to cure a person called the leopard, using the roaring sound of the boite drum to simulate the voice of the big cat.
Whitby Goth Weekend is an alternative music festival held in Whitby. The event consists of two nights of live bands at the town’s largest venue, The Spa Pavilion, and three days of alternative trade stalls at the Spa Pavilion, Whitby Leisure Centre, and Whitby Brunswick Centre.
Dates for 2019 are as follows:
- 12-14 April
- 25-27 October
The festival was held yearly until 1997, when it became twice-yearly in April and October. It has grown into one of the world’s most popular goth music events attracting around 1,500+ attendees from across the UK and beyond. The term “Whitby Goth Weekend” is sometimes used as a generic term to describe events during the week in Whitby as a whole, although the name of the event and its associated logo are registered trademarks of Jo Hampshire of Top Mum Promotions.
The main event is held in the town’s largest venue Whitby Spa Pavilion (known as the Spa) and the Bizarre Bazaar ‘Goth Market’ is also held there and at Whitby Leisure Centre and the Brunswick Centre. Access to the Spa in the evening requires a ticket and live bands play on both Friday and Saturday from 08:00 until about midnight.
The “weekend” starts during the day on Friday and fringe events are held on Thursday, Sunday and Monday including club nights, markets, and a charity football match between visiting goth team Real Gothic, and local team Stokoemotiv Whitby.
During the October/November event there is an independent custom car show, ‘Whitby Kustom’ in the grounds of West Cliff School. There are also several “meet ups” aimed at goths with a particular interest, e.g. Lolita Goth.
Newbies who have not attended the event before are referred to as “Whitby Virgins”. To help introduce them to the event, there was a WGW Virgins Meet Up on the Friday morning at the Spa until about 2014.
In the mid-2000s the October weekend on or near Halloween began to attract large numbers of non-goths in Halloween, horror, historical, fantasy and sci-fi costume, which has led to an increase in photographers and visitors. The weekend now attracts other alternative subcultures, including Victorian vampires, rockers, punks and members of the steampunk subgenre.
Some regulars consider it no longer a purely “Goth” weekend, and it was acknowledged by Hampshire in the 2014 Whitby Goth Weekend Guide that in order to survive the event would have to diversify into other areas that have influenced Goth.
Concerns have grown about disrespect being shown to the graves in St. Mary’s Churchyard by photographers using them for photographic purposes which has resulted in a petition to have the area closed during the event, an action that Whitby Goth Weekend fully supports. The Bram Stoker Film Festival, which also took place in the town, rehashed a proposal to build a film set graveyard which photographers would be charged to use.
Dakini day, celebrated on the 25th day of each lunar month in Vajrayana Buddhist traditions, celebrates the feminine energy of wisdom. Devoted Buddhists will celebrate with a Tsok (Tsog), a feast including food, singing, a group (or single) sadhana full of sound and celebration. Most Tibetan Buddhist temples and meditation centers try to arrange a monthly Tsog on this day each month, with celebrants bringing food as offerings. It is always a happy day, that invites blessings not only for the attendees, but for all sentient beings.
This is one of the special days during a month, when Vajrayana practitioners perform a ritual of offering and purification of their commitments. It is believed that on this particular day, all the Dakinis gather in special sacred places and their energy is potently vivid and present at that moment.
When we perform practice on those auspicious days, we can connect with this potent energy and thus gain a lot of merit. It allows us to develop our practice and capacities, as well as purify our defilements and mistakes that we have accumulated with time. In this way, Dakini Day becomes very important for Vajrayana practitioners.
What is a Dakini?
The Dakini is a female being of generally volatile temperament, who acts as a muse for spiritual practice. Dakinis can be likened to elves, angels, or other such supernatural beings, and are symbolically representative of testing one’s awareness and adherence to Buddhist tantric sadhana.
Dakinis are portrayed as elusive, playful and often fierce and naked to symbolically convey how elusive true Wisdom encompassing “Emptiness” can be.
Without contradiction to their role as exemplars of Emptiness, Dakinis can also represent fierce activities, such as protection — the ferocious protective love of a mother.
Khandro Rinpoche defines the authentic Dakini principle as “a very sharp, brilliant wisdom mind that is uncompromising, honest, with a little bit of wrath.”
Dakinis appear in many forms. “The Dakinis are the most important elements of the enlightened feminine in Tibetan Buddhism,” says American teacher Tsultrim Allione. “They are the luminous, subtle, spiritual energy, the key, the gatekeeper, the guardian of the unconditioned state. If we are not willing to invite the Dakini into our life, then we cannot enter these subtle states of mind. Sometimes the Dakinis appear as messengers, sometimes as guides, and sometimes as protectors.”
Dakini are timeless, inorganic, immortal, non-human beings who have co-existed since the very beginning with the Spiritual Energy. In some New Age belief systems, they are angelic. This New Age paradigm differs from that of the Judeo-Christian by not insisting on angels being bona fide servants of God.
Moreover, an angel is the Western equivalent of a Dakini. The behavior of Dakini has always been revelatory and mysterious; they respond to the state of spiritual energy within individuals. Love is their usual domain – one explanation for Dakini or angels supposedly living in the sky or heaven. Manifestations of Dakini in human form occur because they supposedly can assume any form. Most often they appear as a human female. By convention, a male of this type is called a ‘Daka’.
In Buddhism, typically, the male Buddhas represent compassionate means, while the female Buddhas represent Wisdom. The symbols of bell and vajra (Ghanta and Dorje) represent female wisdom — the bell, which makes the sound of “Emptiness” — and the Vajra, representing compassionate means.
Dakini’s have always been a part of Buddhism, starting with the Jataka’s (stories of Buddha’s former lives) in which “divine beings are described as travelling through the air. In Sanskrit, such a being is called a Dakini, a term generally translated as “space-goer,” “celestial woman,” or “cloud fairy.”
Dakinis are typically thought of as the emanation of the “Enlightened Mind” understanding Emptiness. Another concept usually tied to Dakini practice is “bliss” — the state of blissful awareness of emptiness.
It is a wonderful experience to have a moment that realizes emptiness, a feeling of joy-bliss rather than “nothingness.” This is why Dakinis are often portrayed as active, dancing, joyful or fierce, naked and unencumbered.
Five Dakini Healing Mantra
The meaning of Dakini is the female enlightened energy and the awakened state of consciousness. Therefore, chanting this mantra increases and enhances all enlightened feminine energy.
Bam Ha Ri Ni Sa
The 5 Dakini also represents each of the 5 Elements:
- BAM ~ Buddha Dakini ~ (blue) ~ Mind energy, pacifies Ignorance
- HA ~ Vajra Dakini ~ (white) ~ Body energy, pacifies Anger
- RI ~ Ratna Dakini ~ (yellow) ~ Knowledge/Qualities/Healing, pacifies Ego/Pride
- NI ~ Padma Dakini ~ (red) ~ Speech energy, pacifies Desire
- SA ~ Karma Dakini ~ (green) ~ Action/Removes Obstacles, pacifies Jealousy
This mantra is helpful for all female related health issues, transforms negative emotions, unblocks channels, and balance 5 elements. When chanting this mantra on Dakini Day, the power magnifies ten-fold!
After chanting, blow into a glass of water, which infuses the healing vibration into the water, drink, and continue to enjoy its healing properties.
There is not a lot of information about this particular feast day and the dates given for it vary widely. Our calendar lists it as January 30 – 31, but some calendars assign it to January 17 – 18, others say April 18 – 19, May 26, July 9 – 10, or October 13. None of these calendars have any information other than that it is called “Feast of Charities” for the Greek goddesses known as the Graces. I don’t think anyone really knows much about it.
I did find a Feast of the Charities Ritual at Llewellyn. Here it is:
- Color of the day: Orange
- Incense of the day: Sage
Today is the Feast of the Charities. These old Greek goddesses of beneficence were known to the Romans as the Gratiae, or “Graces.” They are Aglaea, whose name means “splendor,” Euphrosyne, or “joy,” and Thalia, or “mirth.” The Charities bestow charm, beauty, and creativity on their worshipers. In this regard they serve a similar purpose to the nine Muses. Generosity and festive activities please these goddesses.
- Get some friends together and dress up.
- Arrange each other’s hair.
- Dance and sing, or perform some sacred theater.
- Visit an art gallery or walk through a street fair.
Alternatively, do something nice for the less fortunate. Bundle up old clothes you never wear anymore to recycle for the less fortunate, or hold a food drive and donate the results to a local charity. (Yes, the term comes from the name of these goddess, “Charities.”) You could also donate your money or time. Give of yourself, and you shall receive “grace” from the Charities in return. Be kind and giving, and your creativity will overflow!
When we consider the month of October and Halloween, our modern take on the Holiday is largely fun and commercially driven, celebrated with spooky costumes and all our favorite Halloween treats. However, this time of year wasn’t always celebrated with ‘trick-or-treating’. Instead, many cultures focus on the celebrations honoring those that came before us.
As we head into the Halloween season, the veil that exists between our world and that of the spiritual will has started to thin out. On Halloween night, also known as All Hallows Eve, it is said that this veil drops, allowing those in the spiritual world to move freely among us. Now, this may sound concerning, to say the least, but don’t get too worried yet. Much like us here on in this life, the spiritual world is filled with both good and not so good spirits. While there are sure to be some mischievous beings trying to bring mischief and chaos into our lives, it is believed that we will also be visited by our deceased loved ones.
The concept of the dead moving among us is the underlying concept behind the Day of the Dead or Dia de los Muertos. Often known as a holiday celebrated in Mexico, records show that these traditions can be dated back as far as the Aztecs. Spanning two days, the holiday specifically focuses on honoring our deceased loved ones, through the use of parties, parades, feasts and other celebrations. Many who celebrate also done colorful costumes and skull makeup, also known as sugar skulls, a symbol that has come to be highly recognizable in today’s pop culture.
All Saints’ Day and All Souls’ Day are also similar to Day of the Dead. These are celebrations embraced by Western Christianity, in which the souls of faithful Christians who have paced are honored with the placing of flowers or candles at their grave sites, and church services discussing their memory. During this time, Christians also pay tribute to the martyrs and saints.
Also known as ‘Summers End’, Samhain is the Pagan holiday celebrated at this time. While this holiday is largely associated with the celebrations of the ancient Celts, many Pagans, Wiccans and Druids will celebrate Samhain around the globe. The holiday marks the end of the harvest season and beginning of winter, however, it also includes a number of celebrations including bonfires and feasts, honoring those that came before them.
Are You Looking For Ways To Honor Your Deceased Loved Ones During This Time? Here Are A Few Ideas:
- Cook a specific meal in honor of your deceased loved one. This is a regular part of the celebrations of Day of the Dead. Those who celebrate would cook the favorite meal of their loved one to ‘share’ in celebration of their time together.
- Use meditation to allow you to open your mind and your heart to communication from your loved ones. Remember, they are moving among you and may very well be trying to let you know that they are there.
- If you do still visit the grave site of a loved one, take some time out this night to be there. Place a lit candle, a flower of your choice or some other memento to show you were there. If you feel their presence, speak aloud to them. Remember, they are moving among us.
- Light a black candle, paying tribute to the stages of life and the inevitable darkness that comes with its final stage, death. Candles are also often used as a tribute or memorial to those who have come before us. If you wish, you can carve the name of your loved one into a taper candle and burn it in honor of a specific loved one.
- Gather friends and family together and light a large bonfire. Share your favorite stories of your friends and loved ones as you feel them moving among you. You can also include their favorite food and drinks in the evening’s celebrations.
- Choose to celebrate life by giving thanks for the life you were given, and that of the family members that came before you. Make a list of all the reasons you have to be appreciative at this time.
- Set up an altar to honor the specific loved ones that hold a special place in your heart. This may include photos or objects that hold a special meaning of some form.
- Take part in an activity that meant something to a friend or loved one that you are choosing to honor. For example, if you recently lost your brother and he was highly into superhero movies, you could enjoy a movie marathon night either on your own or with other loved ones who knew him.
Source: Awareness Act
October 22nd is sacred to all deities of the Crossroads eg Hecate, Legba or Ellegua, Lady Elen, Herne and the Queen of Fairie.
Crossroads have always been seen as magical places. They are places where you have a choice, you can change your destination and take an alternative route. They are places where you might meet strangers or uncanny creatures.
At one time Witches and suicides were buried at crossroads, to confuse their spirits and prevent them haunting. And for the same reason public gallows were often put at a crossroads.
Crossroads are where we can sit and observe magical creatures, the fairies, the Wild Hunt, Witches flying to their meetings. Where spells are more potent and offerings can be left for the gods. And it is the place where we can make a commitment to the Old Path of Witchcraft ourselves.
More about crossroads and magick can be found here: Why Crossroads Are Magickal
Source: Raven Corvus
The pan de muerto (Spanish for Bread of the Dead or Day of the Dead Bread) is a type of bread from Mexico baked during the Dia de los Muertos season, around the end of October and the official holiday is celebrated on November 2. It is a soft bread shaped in round loaves with strips of dough attached on top (to resemble bones), and usually covered or sprinkled with sugar.
Another bread in the form of a sphere on the top represents a skull. The classic recipe for Pan de Muerto is a simple sweet bread recipe with the addition of anise seeds.
Pan de Muerto is sometimes baked with a toy skeleton inside. The one who finds the skeleton will have “good luck.” This bread is eaten during picnics at the graves along with tamales, cookies, and chocolate.
- 1/4 cup milk
- 1/4 cup (half a stick) margarine or butter, cut into 8 pieces
- 1/4 cup sugar
- 1/2 teaspoon salt
- 1 package active dry yeast
- 1/4 cup very warm water
- 2 eggs
- 3 cups all-purpose flour, unsifted
- 1/2 teaspoon anise seed
- 1/4 teaspoon ground cinnamon
- 2 teaspoons sugar
Instructions: Bring milk to boil and remove from heat. Stir in margarine or butter, 1/4 cup sugar and salt.
In large bowl, mix yeast with warm water until dissolved and let stand 5 minutes. Add the milk mixture.
Separate the yolk and white of one egg. Add the yolk to the yeast mixture, but save the white for later. Now add flour to the yeast and egg. Blend well until dough ball is formed.
Flour a pastry board or work surface very well and place the dough in center. Knead until smooth. Return to large bowl and cover with dish towel. Let rise in warm place for 90 minutes. Meanwhile, grease a baking sheet and preheat the oven to 350 degrees.
Knead dough again on floured surface. Now divide the dough into fourths and set one fourth aside. Roll the remaining 3 pieces into “ropes.”
On greased baking sheet, pinch 3 rope ends together and braid. Finish by pinching ends together on opposite side. Divide the remaining dough in half and form 2 “bones.” Cross and lay them atop braided loaf.
Cover bread with dish towel and let rise for 30 minutes. Meanwhile, in a bowl, mix anise seed, cinnamon and 2 teaspoons sugar together. In another bowl, beat egg white lightly.
When 30 minutes are up, brush top of bread with egg white and sprinkle with sugar mixture, except on cross bones. Bake at 350 degrees for 35 minutes.
Makes 8 to 10 servings.
Recipe found at: AzCentral
Early divination was often done using only the items at hand — sticks, vegetable peels, cloud formations, etc. Around the end of the harvest season, there wasn’t often much left in the fields.
However, nuts were often plentiful. Pecans, chestnuts, filberts and more would have been gathered up in baskets and stored, which made them the perfect medium for late fall divination. This is a similar celebration to Nutting Day, which falls in mid-September.
Filberts are the European variety of hazelnuts, and in some parts of England, they were used for divination purposes around Samhain night. In fact, for a while the practice was so popular that Halloween was sometimes referred to as Nut Crack Night. Filberts were placed in a pan over a fire and roasted. As they heated up, they would pop open. Young women watched the filberts carefully, because it was believed that if they popped enough to jump out of the pan, romantic success was guaranteed.
In some areas of Europe, the nuts were not roasted, but instead were ground into flour, which was then baked into special cakes and dessert breads.
These were eaten before bed, and were said to give the sleeper some very prophetic dreams. In a few regions, the flour was blended with butter and sugar to create Soul Cakes for All Soul’s Night.
Scottish poet Robert Burns describes a practice in which couples would roast a pair of nuts together, and the behavior of the nuts was indicative of the future of the relationship.
Burns says, “Burning the nuts is a favourite charm. They name the lad and lass to each particular nut, as they lay them in the fire; and accordingly as they burn quietly together, or start from beside one another, the course and issue of the courtship will be.”
Want to do your own Nut Crack Night divination? Select a pair of uncooked filberts. Assign a name to each for you and your lover. Place them in a pan over a fire, and watch to see what they do. Nuts that fly apart indicate that the relationship won’t last, but if they stay together, you’re practically guaranteed to be happy!
by Patti Wigington, ThoughtCo.com
Today is the Feast of the Einherjar: The chosen heroes who sit in Odin’s Hall are the Einherjar. Today we honor those dead kin who gave their lives for Family and Folk. If you have friends or family who died in battle, visit their graves today, if that is not possible, drink a libation in their memory.
- See also: Honoring the Einherjar
Note: Also called Fogmoon, this feast day is held on the nearest weekend to November 1st. A celebration of the war-dead and of Ragnarok, it is dedicated to Odin and Freya.
Scorpio is the eighth sign of the zodiac. The sun enters Scorpio at slightly different times each year, usually around Oct 22, sometimes the day before or the day after.
- Symbol: Scorpion
- Element: Water
- Gemstone: Topaz
- Keword: I Desire
Scorpios are forceful, determined, secretive, and emotional. They are naturally intuitive, and instinctively know what makes other people work. However, they keep their own motivations and true nature a secret. Scorpios are patient people who wait for opportunities and then act quickly, using surprise to their benefit. Scorpios usually know what they want, and they invariably achieve their goals in the end.
From 365 Goddess, we have this for today:
- Themes: Creativity; Sexuality; Passion; Instinct; Fire; Energy
- Symbols: Scorpion (or any stinging, hot items)
- Presiding Goddess: Isara
An ancient Mesopotamian goddess, Isara is known for her fiery nature. The Syrians specifically worshiped her in the form of a scorpion when they wished to improve sexual prowess or passion. In other traditions, Isara judges human affairs fairly but firmly, and all oaths made in her name are sacred.
To Do Today:
In astrology, people born under the sign of Scorpio are said to be creative, tenacious, sturdy, and sensuous, often internalizing Isara’s fire in their sign for personal energy. To do likewise, enjoy any hot beverages (such as coffee with a touch of cinnamon for vitality) first thing in the morning. This will give you some of Isara’s fire to help you face your day, both mentally and physically.
For those wishing to improve interest or performance in the bedroom, today is a good time to focus on foods for passion and fecundity. Look to bananas or avocados in the morning, olives, dill pickles, radishes, or licorice sticks as a snack, beans as a dinner side dish, and shellfish as a main platter. Remember to invoke Isara’s blessing before you eat. And, if you can find one, put the image of a scorpion under your bed so that Isara’s lusty nature will abide in the region and you can tap into it during lovemaking.
More About the Sun in Scorpio
The Sun is in Scorpio from approximately October 23 to November 21, depending on the year.
- Ruler: Pluto, Mars
- Modality: Fixed
- Season: Fall
- Metal: Steel, Iron
- Stone: Topaz, Opal
- Color: Gold, Purple
- Flowers: Chrysanthemum; Pansy
- Anatomy: Genital organs, bladder, bowels
- Attributes: passionate, perceptive, resourceful, possessive, psychological, prowling, determined, probing, fixed, focused.
Scorpios are known for their intensity. They are determined folk that absolutely throw themselves into whatever they do — but getting them to commit to something is rarely an easy task. In fact, it’s better not to even try to “get them” to do anything. Solar Scorpios absolutely have their own mind. And, their primary motivation is unlikely to be prestige (like their Capricorn friends), or even authority (Leos can have that, too)–it’s real power. Their power can absolutely be of the “behind the scenes” variety, just as long as they have it.
To others, Scorpios seem to have plenty of willpower. They probably do. Scorpios do know what they want, and they won’t go out and grab it at the wrong moment. They simply sit back, watch (quite expertly), and then get it only when the moment is just right. This apparent patience is simply their powerful skills at strategy at work.
Scorpio isn’t afraid of getting their hands (their bodies, their minds) dirty. The darker side of life intrigues them, and they’re always ready to investigate.
Scorpios simply never give up. They have tremendous staying power. They’re not in the slightest intimidated by anybody or anything. Confrontations are not a problem. In fact, talk to any Scorpio about their lives, and you’ll probably be in awe at all they’ve gone through. Trauma seems to follow them wherever they go. When Scorpio learns optimism, instead of expecting the worst, they’ll find that they possess amazing regenerative powers — the power to heal, create, and transform.
Source: Cafe Astrology