Ancient Roman Festivals
In ancient Rome on July 7th, the Feria Ancillarum or Festival of Handmaids was held. This was the maids’ day out, when the maids of Rome were beyond the control of their mistresses.
Also known as the Caprotinae, when free and slave women made offerings to her beneath wild fig trees outside Rome’s city limits, this feast day was in honor of Juno Caprotina, Juno of the Wild Figs. Fig trees were venerated, with feasting beneath them in honor of Caprotina, an aspect of the Goddess Juno.
In this aspect of the goddess, Juno is seen as dressed in goatskins and driving a chariot pulled by goats. Enslaved women made up a large proportion of her devotees.
Poplifugia was a Roman festival on July 5. It means “flight of the people.” The origin of Poplifugia is not known. Two explanations are given by H.H. Scullard:
- the people fled when Romulus disappeared from mortal sight during a tempest
- the flight of the Roman people after the sack of Rome by the Gauls
There doesn’t seem to be much information about this festival. It took a fair amount of digging, but I was able to come up with a little something more about the Poplifugia. Here’s what I found:
The Festivals of the Poplifugia and the commemoration of Romulus are celebrated on July 5 and July 7, respectively. These two festivals are thought to be a continuation of the same festival, as it was customary for the Romans to have festivals that ran on several days but skipped the even-numbered days because they were considered ill-omened in Rome.
There was also a Rumilia festival that might have been celebrated at the same time.
Although much has been written on this topic, it is not well understood, because the Romans had an extremely conservative religion, in which they continued to do rituals, but they did not remember what they were for, and much of the information about their religion has been lost or deliberately destroyed.
The Poplifugia was a ritual in which someone was chased out of the Regia, or “King’s House”, actually the formal residence of the Sacred King of Rome.
This early July date corresponds approximately to the time of slaughter of livestock in Mediterranean countries which have a dry season during most of the summer during which there is no fodder for cattle.
Its name which is interpreted to mean, “The Flight of the People”, may refer to the sacking of Rome by the Gauls in 390 BC. However, it is impossible not to notice that the word popli- in Poplifugia, and which is interpreted as meaning `people’ is very similar to the word popa which is the Latin word for the attendant who actually slaughtered the animals at a sacrifice, that is, it was the job of the popa to hit the animal in the forehead with an ax which stunned it. Someone else cut the animal’s throat so that it bled to death, and the whole operation was organized by a priest who spoke the religious formulas and directed everyone on what they should do.
If the festival was originally called a *Popafugia (“fleeing of the popa or axeman”), it would be even more completely in line with the Bouphonia, as it was performed in classical Greece. Nevertheless, the connection has been made between the Poplifugia and the Greek Bouphonia and both are thought to embody the myth of the killing of the first cow, which makes up the Indo-European creation myth, known as the Primal Cow Creation Myth.
Found at: Associated Content
- Color of the day: Green
- Incense of the day: Clove
June 11 is the Festival of Mater Matuta, an old Italian goddess of the dawn who was the goddess of the dawn and the protector of growing crops and growing children. Today a free woman in the first year of her marriage would make offerings of toasted cakes to the goddess, and ask for blessings on her nieces and nephews. The Romans eventually made equivalent to the dawn goddess Aurora, and the Greek goddess Eos.
Aurora, known among the Greeks as Eos, is honored on this day. It is she who opens the gates of heaven each day so that Helios may ride his chariot across the skies. Her tears create the morning dew. Try greeting Aurora today as she opens the gates of heaven. Walk barefoot through the grass, feeling her tears upon your skin. Connect with her eternally youthful soul.
Then, as Helios begins his journey across the sky, settle yourself in a quiet place outdoors and let the light bathe your face for a short time as you meditate on the beauty you bring into your world each day. Once you finish your meditations, pay tribute to Aurora for her task of opening the gates for each new day to bring light in the world. Take with you her beauty and grace as you go about your day and tasks.
By Winter Wren
The Festival of Bellona took place on June 3rd in Campus Martius, near the Temple of Bellona. This was largely just a huge feast in honor of Bellona who had helped them in war. This festival was also a celebration for the dedication of the Temple of Bellona.
One source that talks about the dedication of the Temple of Bellona on June 3rd is in Ovid’s “Fasti”, a six book poem the Roman poet Ovid had published around 8 AD. This quote is found in Ovid’s 6th and final book:
“When two dawns are past, and Phoebus has risen twice,
And the crops have twice been wet by the dewfall,
On that day, they say, during the Tuscan War, Bellona’s
Shrine was consecrated, she who always brings Rome success.”
This goddess did not play a significant role in either myth or legend, and her worship appears to have been promoted in Rome chiefly by the family of the Claudii, whose Sabine origin, together with their use of the name of Nero, has suggested an identification of Bellona with the Sabine war goddess Nerio.
Her temple at Rome, dedicated by Appius Claudius Caecus (296 B.C.) in fulfillment of a a vow during the Third Samnite War with the Samnites and Etruscans, stood in the Campus Martius, near the Flaminian Circus and Porta Carmentalis (the Carmenta gate), and outside the gates of the city. It was there that the senate met to discuss a general’s claim to a triumph, and to receive ambassadors from foreign states. In front of it was the columna bellica, where the fetialis ceremony of declaring war was performed, in which a spear was cast against the distant enemy.
This native Italian goddess should not be mistaken for the Asiatic Bellona, whose worship was introduced into Rome apparently by Sulla, to whom she had appeared, urging him to march to Rome and bathe in the blood of his enemies. See Day of Blood
~Information compiled from various sources.
On 10 May, and again on 31 May, the Roman legions at Duro Europa celebrated the Rosalia. This again connects the flowers of Spring with rituals for the dead, only this time the rituals were performed by military units for their fallen comrades rather than for family members. We learn of this celebration first with a military calendar from Syria.
We do not know if the Rosalia was celebrated on the same dates by other legions throughout the Roman Empire, but we hear descriptions of the Rosalia in other texts suggesting that the Rosalia was common in the Roman army. Since the military calendar differs from other Roman calendars, it is possible that it represents a standard used among all legions. Then again each legion may have had its own schedule of festivals. However, since the month of May was dedicated to the dead, with Lemuria, it would seem reasonable that a military equivalent fell within the same month.
Here’s what we do know:
At the center of every Roman military camp there was a small shrine, the saculum. Inside this shrine the military standards were kept; these were the legion’s eagle and other standards for the maniples, cohorts, or vexilia. As with Roman temples, an altar was placed in front of the sacullum. At Rosalia the standards were brought forth and placed around the altar. They were crowned with wreaths of roses and a supplication, or thanksgiving, was performed before them. Beyond that one detail, nothing else is certain about this military ritual. But from its nature we can surmise something of its intent.
When someone died far from home, whether while serving in the army or away at sea, and thus was unable to be buried by his family, a cenotaphium would be erected as a dwelling place for his soul. His Lar (soul) was called three times and invited to enter the cenotaphium. For example, when Aeneas meets his deceased friend Deiphobus in the Underworld, he says,
“Then I myself on the Rhoetean shore erected a hollow tomb, and with loud voice thrice called upon thy spirit (Virgil, Aeneid).”
On the Nones (7 May) the tombs of ancestors were decorated with wreaths of roses. With their red hues, the roses were offered to the dead as a gesture of reviving them, or at least of remembering how they were once while still alive. The red roses were the flowers of Venus, and they were a reminder of the Garden of Venus where the souls of the dead, as animae, would dwell as Her children, like little cupids living in the Blessed Isles. So offering roses to the Manes was a way of wishing their safe journey on to the Garden of Venus.
There is not much doubt that the Rosalia was intended to honor the military dead. The standards were being adorned with roses in the same manner as tombs and cenotaphs. With the Romans I think you would also have to consider that they thought of the standards as cenotaphia that carried the Lares of the legion, who were the spirits of their fellow soldiers, into battle with them. This would also explain why the loss of the eagles would be taken as such a tragedy by Romans. Perhaps it also explains why the second century Christian writer Tertullian criticized this veneration of the standards.
The Rosalia was continued, however, even after the Roman army adopted Christianity. Something of the Rosalia remains even today in the parading of the colors of modern armies, where they are decorated with battle ribbons to commemorate where a unit has fought, as well as all the men who have served and died with the unit in the past. Laying a wreath of roses on the Tomb of the Unknown Soldier on Memorial Day is an echo of the Rosalia once performed by Roman legions.
Found at: Patheos
The Lemuria, the festival in honor of the Lemures, the spirits of dead family members who wander the earth on these three spring nights (May 9, 11, and 13).
The Lemuria is held on odd-numbered days because even-numbered days are considered unlucky. It is a festival designed to honor the Lemures, they are regarded as baleful spirits of the dead who died violent or otherwise untimely deaths.
At midnight, the Paterfamilias (head of the household) arises and dresses with no knots, buckles, or other constricting items on his person (thus he is barefoot). He makes the sign of the mano fico with his hands (a fist with the thumb placed between the index and middle fingers; a sign of good luck and fertility) and then washes his hands in pure water. He then walks through the house, spitting out nine black beans, being careful not to look behind him as the lemures accept the beans as a sort of ransom for the living members of the household. As he spits out each one, he says
“With these beans I redeem me and mine.”
Once all nine beans have been accepted by the lemures and the entire house walked through, the Paterfamilias then washes his hands again, clashes two vessels of bronze together, and nine times says
“Ghosts of my fathers, be gone.”
(Manes exite paternae.)
According to many pagan calendars, May 8th is listed as “The Festival of Mens , the Roman goddess of mind and consciousness.” I did not, however, find any information on Mens or on a festival of Mens – what I did find was this small excerpt at Wikipedia:
By a process of folk etymology, the Romans could have confused the phones of her foreign name with those of the root men- in Latin words such as mens meaning “mind”, perhaps because one of her aspects as goddess pertained to the intellectual. The word mens is built from the Proto-Indo-European root *men- ‘mind’ (linked with memory as in Greek Mnemosyne; memory, remembrance, recollection, Manush in Sanskrit meaning mind ).
Because of this, I can only assume that the Festival of Mens is actually a Festival of Minerva, Goddess of wisdom and learning, meditation, inventiveness, accomplishments, the arts, spinning and weaving, and commerce. Minerva was identified with Pallas Athene, bestower of victory, when Pompey the Great built her temple with the proceeds from his eastern campaigns.
The Romans celebrated her festival from March 19 to March 23 during the day which is called, in the neuter plural, Quinquatria, the fifth after the Ides of March, the nineteenth, an artisans’ holiday . A lesser version, the Minusculae Quinquatria, was held on the Ides of June, June 13, by the flute-players, who were particularly useful to religion.
The Bona Dea had a festival on the first of May that commemorated the date her Aventine temple was founded. Its date connects her to Maia; its location connects her to Rome’s plebeian commoner class. At the ceremony, prayers were made to Her to avert earthquakes. She also had a secret festival, attended only by women, that took place over the night of the 3rd and 4th of May.
The rites are inferred as some form of mystery, concealed from the public gaze and, according to most later Roman literary sources, entirely forbidden to men.
On this night the festival was held in the house of the consul (the chief elected official), and no men were allowed. This taboo extended even to paintings or statues of men, which were required to be covered during the rites—and one assumes the consul himself crashed at a friend’s place for the night. The Vestal Virgins officiated, led by the wife of the consul (probably symbolic of the ancient Queen, on whom fell certain sacred religious duties), and the house was decorated like a temple with garlands of leaves and flowers of all kinds, except for myrtle of course, and the women wore wreaths of grape leaves.
A great jar of wine was placed in the room, though it must be referred to as “milk”, and the jar itself was called a mellarium, or “honey jar.” After making libations to the Goddess, music was played and the women drank and danced.
In the Republican era, Bona Dea’s Aventine festivals were probably distinctly plebeian affairs, open to all classes of women and perhaps, in some limited fashion, to men. By the Late Republic era, Bona Dea’s May festival and Aventine temple could have fallen into official disuse, or official disrepute.
The goddess also had a Winter festival (see it here), it was held in December during the Faunalia, and was referred to as the sacra opertum, (“the secret or hidden sacrifice”): at this ritual sacrifices were made for the benefit of all the people of Rome, something proper to the realm of a mother or Earth Goddess who is concerned with the well-being of all of Her children.
Ritual for Bona Dea:
- Color: Green
- Element: Earth
- Offerings: Leave a pig-shaped cookie out for the wild things.
- Daily Meal: Soups or stews, preferably with herbs. Herbal tea.
Upon a green cloth set five candles in different colors, a chalice of milk mixed with honey, incense of sandalwood and myrrh, the figure of a snake, a plate of cookies shaped like pigs, a pot of medicinal herbal tea, cups, and pots of dried herbs gathered throughout the year.
Invocation to Bona Dea
O Bona Dea,
Good Goddess of the Earth
Whose name is mystery,
Whose name is a hundred names,
Whose spirit lives in us all
And in every goddess who touches the soil,
And in every mortal who sprang from the clay,
Be with us on this day!
You have made the Earth spring forth
With many green goods for us,
Not merely those with which me feed our bellies,
But also those which heal our bodies.
Lady who heals us, godmother of Hygeia,
Daughter of Faunus who tracks in the wild,
We find your gifts both in our gardens
And on the wild paths where you have trodden.
We see the healing herbs springing up
In each of your passing footprints,
And we are grateful for our lives.
O Bona Dea,
Good Goddess of the Earth
Whose name is mystery
But whose gifts are so concrete,
We revere you and ask that you bless this day
Your plants which you have so generously given us,
That we may always be healed
And always help to heal others.
The names of the herbs that were collected and placed on the altar are called out one by one, in this manner:
“For the power of Rosemary, we are grateful!”
All reply in turn, “We are grateful!”
Pass the tea and cookies and eat them.
Sources: Pagan Book of Hours and Wikipedia
April 5th. When the next Dawn shall have shone in the sky, and the stars have vanished, and the Moon shall have unyoked her snow white steeds, he who shall say, “On this day of old the temple of Public Fortune was dedicated on the hill of Quirinus”, will tell the truth.
April 5 is Lady Luck Day. As you can see from the above quote, it is dedicated to Fortuna, the Roman goddess of good fortune, and marks the day that her temple of Public Fortune was dedicated in Ancient Rome on the hill of Quirinus.
- Themes: Luck; Wealth; Abundance; Destiny; Success
- Symbols: Wheel; Cornucopia
Fortuna, whose name means ‘she who brings’, is the keeper of our destiny and the guiding power behind all fortunate events. She stands on top of Fortune’s wheel, steering us toward success and victory all year long.
To Do Today:
Who of us couldn’t us a little of Fortuna’s assistance with tax day on the horizon? For a little extra cash, dab your automobile, bike, or motorcycle wheels with almond oil or pineapple juice. Symbolically this invokes Fortuna’s help by keeping money “rolling” in! Also dab your steering wheel similarly – this way you can keep a “handle” on personal finances.
Romans traditionally asked Fortuna about their fate and difficult problems today, then received replies on slips of paper, often baked into small bread balls akin to a fortune cookie! This is fun for a gathering of people to try. Each person should write a word or short phrase on a piece of paper (all of which are equal in size). These get dropped into a bowl, and at the end of the day everyone can reach in to see what Fortuna has to say.
Wear colors that indicate to Fortuna what you need most (green for prosperity and luck, blue for victory, red for success, yellow for communication and creativity, and purple for spirituality and leadership qualities). Or, don lucky clothing and carry your lucky charms. Fortuna’s energy is already housed within them.
Found in: 365 Goddess
The Megalisia was a Phrygian festival in honor of Cybele, the Magna Mater. This was a festival with games celebrated at Rome in the month of April and in honor of the great mother of the gods. Following the advice of the Sibylline oracle on how to end the Punic wars, the meteorite which represented Cybele was brought from Phrygia to Rome in 204 BCE where it was installed in the Temple of victory on April 4th. The day of its arrival was solemnized with a magnificent procession, lectisternia, and games, and great numbers of people carried presents to the goddess at the Capitol.
The following harvest was great and the war ended the next year.
The regular celebration of the Megalesia, however, did not begin until about a dozen years later, when the temple which had been vowed and ordered to be built in 203 B.C., was completed and dedicated by M. Iunius Brutus.
The Romans began the celebrations with a parade, in which an image of the Goddess, Cybele, was carried through the streets in a chariot drawn by lions, her animals. The castrated priests who served her danced alongside, playing timbrels and cymbals and gashing themselves. Lucretius says “with bronze and silver they strew all the paths of her journey … and snow rose-blossoms over her.”Rome, commemorating the arrival of the goddess to her Roman Temple.”
The festival lasted for six days, beginning on the 4th of April. The season of this festival, like that of the whole month in which it took place, was full of general rejoicings and feasting. It was customary for the wealthy Romans on this occasion to invite one another mutually to their repasts, and the extravagant habits and the good living during these festive days were probably carried to a very high degree. For that reason, a senatusconsultum was issued in 161 B. C., prescribing that no one should go beyond a certain extent of expenditure.
The games which were held at the Megalesia were purely scenic, and not circenses. They were at first held on the Palatine in front of the temple of the goddess, but afterwards also in the theaters.
The first ludi scenici at Rome were, according to Valerius Antias, introduced at the Megalesia, either in 193 or 191 b.c. The day which was especially set apart for the performance of scenic plays was the third of the festival.
Slaves were not permitted to be present at the games, and the magistrates appeared dressed in a purple toga and praetexta, whence the proverb, purpura Megalensis. The games were under the superintendence of the Curule Aediles, and we know that four of the extant plays of Terence were performed at the Megalesia. Cicero, probably contrasting the games of the Megalesia with the more rude and barbarous games and exhibitions of the circus, calls them maxime casti, solemnes, religiosi.
The book, 365 Goddess, describes this festival as a Roman Festival celebrating the accuracy of the Sibylline oracles, who predicted the way for the Roman victory in the Punic Wars. Her suggestions for celebrating this ancient festival is as follows:
- Themes: Divination, Protection, Victory, Children, Birth, Communication.
- Symbols: The written word, Divination tools, Fertility symbols.
- Rulers: The Carmenae.
The Carmenae is a group of goddesses who correspond to the Muses of Greek tradition; they know our past, see what’s in store in the future, foretell children’s fates, and teach us the effective use of “letters” (the alphabet), the arts, and how to tell fortunes. They also oversee midwives.
Romans traditionally honored the goddesses today with music and song, so put on some magical tunes! The Carmenae will saturate the music and uplift your spirit.
Ask the Carmenae to help you write personalized invocations or spells today. Put pen to pad and let these goddesses inspire sacred words suited to your path and needs. Keep these in a magick journal for future use.
The Roman oracles often drew lots to determine a querent’s answer. If you have a question weighing heavily on your heart today, follow this custom and take out some variegated beans. Hold them. Concentrate on the question, then pick out one bean. A black one means “no”; white means “yes.” Red means that anger is driving action, brown means things are muddled, and green indicates growth potential. If you don’t have the beans, colored buttons or beads are a suitable alternative.