Freyfaxi, Freysblöt, or Hlæfæst (which means Loaf Feast) which celebrates the beginning of the harvest. There is no specific “correct” date for this harvest festival; some groups celebrate it at the beginning of the month (to coincide with Lammas), some mid-month, and some on the full moon.
Freyr is the Norse god of fertility and harvest and a blöt is a sacrifice or offering to a god. So Freysblöt is offerings to Freyr, this is done in celebration of the beginning of harvest. The feast is also thought of as holy to Thor as a harvest God and his wife Sif, whose long golden hair can be seen in fields of ripe grain.
The first sheaf of harvested grain was bound and blessed for the gods and the vaettir (land or place spirits). Bread baked from the first harvest was also made into an offering and shared with the community.
In Viking times this is also when the warriors who had gone off to fight at the end of planting season came back, loaded with a summer’s worth of plunder and ready to reap the crops that had ripened while they were gone. It is almost like American thanksgiving, feasting and celebrating the first fruits and grains from harvest.
In modern times this is often just before back-to-school giving families and kindreds a good opportunity to celebrate together before the added stresses of homework and extracurricular activities. While the celebrations were modest compared to some of the other major holidays it was still an excellent reason to gather in celebration and to recognize the prosperity in our lives.
Since it draws from First Harvest traditions, the dates would vary regionally, but falls sometime in the beginning of August, because that is when many of our gardens are coming into full production. Typically in the northern hemisphere it is around this time that we celebrate the bounty of the Earth, and the gifts that she brings us with the help of Frey.
In truth, “Freyfaxi” is basically made up and can be celebrated by any group that wants to when they want to. It isn’t wholly without reference, as it draws on a history of First Harvest traditions, but it isn’t historical by any means. Wikipedia pins it on August 1st, the Ásatrú Alliance’s holidays page dates it as August 19th, and many Pagan Calendars date it to August 23rd.
Loaf-Feast is the end of the summer’s vacation, the beginning of a time of hard work which lasts through the next two or three months, while we ready ourselves for the winter.
The holiday of FreyFaxi was much more important for the lives of our ancestors that it is today. Without a good harvest, many many people would perish in the winter. We honor Frey to thank him for the many harvests that we have had, if there was one terrible one, some of us may not be here today. Thanks to Frey we are. If a year was particularly horrible, drastic sacrifice would be used – animal, or even human in some cases.
Even though many of us are no longer farmers, we still depend on the land for all that we are given. Maybe we do not depend on it directly but most of us go to the grocery store and buy things that have come from the fields. This is a time to honor Frey, god of the harvest, rains, and fertility. A time to thank him for the bounty of the earth, and all the gifts that he bestows upon us.
Today we honor him with mead, or some type of drink, food from our table, typically foods we harvest ourselves, for example baked bread that we have made ourselves from the wheat he has bestowed upon us. It is traditional to mark the holiday by baking a figure of the God Freyr in bread, and then symbolically sacrificing and eating it. Any way that you honor Frey, is a good way. Traditionally however, it is with a blot and feast.
We honor him because without him, simply we would not have much of our food supply, and quite obviously without that, we do not have much at all! He bestows fertility to the fields and plants, gives them life, giving rain so that they may grow and flourish. These plants including trees, give us oxygen. So if you are not going to honor Frey, son of Njord, for the bounty of the land at least honor him for the life of the plants and world around us!
We honor Frey by giving him a blot, and a grand feast from our own gardens and the fields. (If you do not have these things at least go spend some money and get a few things from a farmers market or something similar). We thank Frey, and honor him for the harvest and the fertility of the land and ask him to give the land even greater fertility in the coming year and in the dark of winter.
The Green Corn Ceremony typically occurs in late July– early August, determined locally by the ripening of the corn crops. The ceremony is marked with dancing, feasting, fasting and religious observations.
The Green Corn Ceremony is a celebration of many types, representing new beginnings. Also referred to as the Great Peace Ceremony, it is a celebration of thanksgiving to Hsaketumese (The Breath Maker) for the first fruits of the harvest, and a New Year festival as well.
The Feast of Green Corn and Dance gives honor to Mantoo (Creator) provider of all things and celebrates our harvest, ancestors, elders, veterans, family and Native American heritage.
The Green Corn Ceremony is an annual ceremony practiced among various Native American peoples associated with the beginning of the yearly corn harvest.
These ceremonies have been documented ethnographically throughout the North American Eastern Woodlands and Southeastern tribes. Historically, it involved a first fruits rite in which the community would sacrifice the first of the green corn to ensure the rest of the crop would be successful.
These Green Corn festivals were practiced widely throughout southern North America by many tribes evidenced in the Mississippian people and throughout the Mississippian Ideological Interaction Sphere. Green Corn festivals are still held today by many different Southeastern Woodland tribes.
Literally the spirit of the corn in Native American traditions, Corn Mother brings with her the bounty of earth, its healing capabilities, it’s nurturing nature, and its providence.
- Symbols: Corn; Corn Sheaves
- Themes: Abundance; Children; Energy; Fertility; Harvest; Health; Grounding; Providence; Strength
This is the season when Corn Mother really shines, beautiful with the harvest. She is happy to share of this bounty and give all those who seek her an appreciation of self, a healthy dose of practicality, and a measure of good common sense.
To Do Today:
Around this time of year the Seminole Indians (in the Florida area) dance the green corn dance to welcome the crop and ensure ongoing fertility in the fields and tribe. This also marks the beginning of the Seminole year. So, if you enjoy dancing, grab a partner and dance? Or, perhaps do some dance aerobics. As you do, breathe deeply and release your stress into Corn Mother’s keeping. she will turn it into something positive, just as the land takes waste and makes it into beauty.
Using corn in rituals and spells is perfectly fitting for this occasion. Scatter cornmeal around the sacred space to mark your magic circle, or scatter it to the wind so Corn Mother can bring fertility back to you. Keeping a dried ear of corn in the house invokes Corn Mother’s protection and luck, consuming corn internalizes her blessings.
The traditional Ceremony:
The Busk or Green Corn Ceremony is the celebration of the New Year, so at this time all offenses are forgiven except for rape and murder, which are executable or banishable offenses.
In modern tribal towns and Stomp Dance societies only the ceremonial fire, the cook fires and certain other ceremonial objects will be replaced. Everyone usually begins gathering by the weekend prior to the ceremony, working, praying, dancing and fasting off and on until the big day.
The whole festival tends to last seven-eight days, if you include the historical preparation involved (without the preparation, it lasts about four days).
- Day One
The first day of the ceremony, people set up their campsites on one of the square ceremonial grounds. Following this, there is a feast of the remains of last year’s crop, after which all the men of the community begin fasting (historically, the women were considered too weak to participate). That night there is a social stomp dance, unique to the Muscogee and Southeastern cultures.
- Day Two
Before dawn on the second day, four brush-covered arbors are set up on the edges of the ceremonial grounds, one in each of the sacred directions.
For the first dance of the day, the women of the community participate in a Ribbon or Ladies Dance, which involves fastening rattles and shells to their legs perform a purifying dance with special ribbon-clad sticks to prepare the ceremonial ground for the renewal ceremony.
The ceremonial fire is set in the middle of four logs laid crosswise, so as to point to the four directions. The Mico (head priest) takes out a little of each of the new crops (not just corn, but beans, squash, wild plants, and others) rubbed with bear oil, and it is offered together with some meat as “first-fruits” and an atonement for all sins.
The fire (which has been re-lit and nurtured with a special medicine by the Mico) will be kept alive until the following year’s Green Corn Ceremony. In traditional times, the women would sweep out their cook-fires and the rest of their homes and collect the filth from this, as well as any old clothing and furniture to be burnt and replaced with new items for the new year.
The women then bring the coals of the fire into their homes, to rekindle their home fires. They can then bake the new fruits of the year over this fire (also to be eaten with bear oil). Many Creeks also practice the sapi or ceremonial scratches, a type of bloodletting in the mid morning, and in many tribes the men and women might rub corn milk, ash, white clay, or analogous mixtures over themselves and bathe as a form of purification.
They also drink a medicine referred to as the “White Drink.” (English traders referred to it as the “Black Drink” due to its dark liquid which froths white when shaken before drinking).
This White Drink, known to strangers as Carolina Tea, is a caffeine-laden mixture of seven to fourteen different herbs, the main ingredient being assi-luputski, Creek for “small leaves” of Yaupon Holly.
This medicine was intended to help receive purification, as it is a purgative when consumed in mass amounts. (Historically, only men drank enough of the liquid to throw up.) The purgative was consumed to clean the dietary tract of last year’s crop and to truly renew oneself for the new year.
- Day Three
While the second day tends to focus on the women’s dance, the third is focused on the men’s. After the purification of the second day, men of the community perform the Feather Dance to heal the community.
The fasting usually ends by supper-time after the word is given by the women that the food is prepared, at which time the men march in single-file formation down to a body of water, typically a flowing creek or river for a ceremonial dip in the water and private men’s meeting. They then return to the ceremonial square and perform a single Stomp Dance before retiring to their home camps for a feast.
During this time, the participants in the medicine rites are not allowed to sleep, as part of their fast. At midnight a Stomp Dance ceremony is held, which includes feasting and continues on through the night. This ceremony usually ends shortly after dawn.
- Day Four
The fourth day has friendship dances at dawn, games, and people later pack up and return home with their feelings of purification and forgiveness. Fasting from alcohol, sexual activity, and open water will continue for another four days.
Puskita, commonly referred to as the “Green Corn Ceremony” or “Busk,” is the central and most festive holiday of the traditional Muscogee people. It represents not only the renewal of the annual cycle, but of the spirit and traditions of the Muscogee. This is representative of the return of summer, the ripening of the new corn, and the common Native American traditions of environmental and agricultural renewal.
Historically in the Seminole tribe, 12-year-old boys are declared men at the Green Corn Ceremony, and given new names by the chief as a mark of their maturity.
Several tribes still participate in these ceremonies each year, but tribes who have historic tradition within the ceremony include the Iroquois, Cherokee, Creek, Choctaw, and Seminole tribes. Each of these tribes may have their own variations of celebration, dances and traditions, but each performs a new-year’s ceremony involving fasting and several other comparisons each year.
July 19 was a very important date in ancient Egyptian Cosmology. Known as ‘The Opening of the Year,” or the “Sothic New Year,” it was celebrated with a festival known as “The Coming of Sopdet.”
The oldest festival in ancient Egyptian history, the celebration of The Opening of the New Year began with the rising of Sirius who appeared as the goddess Isis cloaked in robes of brilliant light.
The sky is serene. Sothis lives. She shines, a peaceful flame.
Unas lives eternal as the son of Sothis,
As the child of Isis, as a child of Light,
As Earth is child of the Cosmos.
Unas is pure. She is pure,
As are all the gods whoever lived since the beginning of time
In the worlds above and in the worlds below.
They have been born the Imperishable Stars
Living within the Meshetiu, which shall never die.
~Pyramid Text Utterance 302
Sirius forms a part of the constellation Canis Major, sometimes referred to as the Dog Star. Of all the stars in the sky throughout the year, Sirius shines the brightest. The Greeks called the star Sothis, meaning “The Soul of Isis”. The Egyptians called her Sept or Sopdet, referring to the concept of preparing for the future. The ancient feast day name Per Sopdet may be translated as T”he Coming Forth of the Goddess.”
On this day Sirius, the “Dog Star”, rose together with Sun and announced the annual flooding of Nile River. The lands were watered and a black layer of slime covered them, providing humidity and fertilizer for next year’s harvest: the nation would not suffer of hunger. Thus it was the first year of the mystical Egyptian year, symbolizing transmutation and fertility.
Note: The actual date of this event in ancient Egypt is different than the current date because the date slowly varies within the Gregorian calendar, owing to its omission of three leap years every four centuries. It presently occurs on 3 August.
Ancient Egyptian Rites and Festivities
When Sirius reappeared as the morning star, the altars at the Isis temples of Philae, Karnak, and Dendera opened early. The portals and sanctuaries were aligned so precisely with the heavenly bodies that the predawn starlight of Sirius was projected onto the cult statue of the goddess. Thus began a season of preparation for the coming agricultural year and a celebration of the flood and fecundity of earth.
New Year’s Day in every temple across the land began with the lighting of the wicks for the temple fires. The glowing lamplight symbolized the eternal life of the spirit world and the flame’s earthly burning became a mirrored image of the glittering light of Sothis in the sky.
The lifting of the fires was usually followed by an offering of bread and prayers glorifying the dead, enacted in the northern corner of the temple – the northern region being linked with the souls of the ancestors, the Imperishable Ones who were the circumpolar stars.
When the Opening of the year or Wept Renpet was celebrated, it was also a day to celebrate the traditional birthday of the king and later the Pharoah – no matter the true date of his birth. The New Year’s Feast was an important festival in the life of the Egyptian ruler. It involved his ritually hoeing the ground and breaking the dirt clods in preparation for the sowing that would follow the receding waters.
The water stands and fails not, and the Nile carries a high flood. The days are long, the nights have hours, and the months come aright. The Gods are content and happy of heart, and life is spent in laughter and wonder.
~Prayer from the Sallier Papyrus
The galleries inside the pyramids point to the heavenly position of Sirius on such a day. Sirius was both the most important star of ancient Egyptian astronomy, and one of the Decans. Decans are star groups into which the night sky was divided, with each group appearing for ten days annually. The first night that Sirius is seen, just before dawn (heliacal rising) was noticed every year during July, and the Egyptians used this to mark the start of the New Year.
In fact, the “Sothic Rising” only coincided with the solar year once every 1460 years. The Roman emperor Antoninus Pius had a commemorative coin made to mark their coincidence in AD 139. The Sothic Cycle (the periods between the rising of the star) have been used by archaeologists trying to construct a chronology of Ancient Egypt.
Sirius was named Sothis by Egyptians and from archaic ages it symbolized eternity and fertility. As early as the 1st Dynasty, she was known as ‘the bringer of the new year and the Nile flood. Sopdet took on the aspects of a goddess of not only the star and of the inundation, but of the fertility that came to the land of Egypt with the flood. The flood and the rising of Sirius also marked the ancient Egyptian New Year, and so she also was thought of as a goddess of the New Year.
- Themes: Fertility, Destiny, Time
- Symbols: Stars and Dogs.
Not just a goddess of the waters of the inundation, Sopdet had another link with water – she was believed to cleanse the pharaoh in the afterlife. It is interesting to note that the embalming of the dead took seventy days – the same amount of time that Sirius was not seen in the sky, before it’s yearly rising. She was a goddess of fertility to both the living and the dead.
In the Pyramid Texts, she is the goddess who prepares yearly sustenance for the pharaoh, ‘in this her name of “Year”‘. She is also thought to be a guide in the afterlife for the pharaoh, letting him fly into the sky to join the gods, showing him ‘goodly roads’ in the Field of Reeds and helping him become one of the imperishable stars. She was thought to be living on the horizon, encircled by the Duat.
The reigning Egyptian Queen of the Constellations, Sopdet lives in Sirius, guiding the heavens and thereby human destiny. Sopdet is the foundation around which the Egyptian calendar system revolved, Her star’s appearance heralding the beginning of the fertile season. Some scholars believe that the Star card of the Tarot is fashioned after this Goddess and Her attributes.
The long, hot days of summer are known as the ‘Dog Days‘ because they coincide with the rising of the dog star, Sirius. In ancient Egypt this was a welcome time as the Nile rose, bringing enriching water to the land.
Activities for Today
Go outside tonight and see if you can find Sirius. When you spy it, whisper a wish to Sopdet suited to Her attributes and your needs. For example, if you need to be more timely or meet a deadline, she’s the perfect Goddess to keep things on track.
If you’re curious about your destiny, watch that region of the sky and see if any shooting stars appear. If so, this is a message from Sopdet. A star moving on your right side is a positive omen; better days are ahead. Those on the left indicate the need for caution, and those straight ahead mean things will continue on an even keel for now. Nonetheless, seeing any shooting star means Sopdet has received your wish.”
- Recall a new beginning
Recall a time in your life when you were starting anew, perhaps after a divorce or when moving into a new home. Perhaps your new life followed the birth of a child or a change in career. Investigate what had to die in your old life in order for the new life to emerge. How did that feel as you stood poised on the brink of change?
- Explore your creativity
Explore what it means to be creative. Think about the most creative times in your life. Where did you live? How different did life seem then from the way it seems now? How was your time structured? What were you thinking, desiring, telling yourself on a daily basis? Can you duplicate any of that in your life now?
- Ten Things
Make a list right now of ten things you want to manifest in the next six months. Be specific. Plant three seeds for each thing you want to manifest, then tend to them. Mark each seed with a popsicle stick to indicate what goal you are germinating, so that when you water the plant, you stay focused on what you are nurturing within yourself.
Write a brief prayer to one of the abundance goddesses – Isis, Hathor, or Anket – asking her to guide you and oversee your fecundity. Say your prayer each time you tend your plants.
- Tour Egypt
- Journeying To The Goddess
- Feasts of Light
Kupala Night and Ivan Kupala Day is celebrated in Ukraine, Poland, Belarus and Russia from the night of July 6 to the day of July 7 on the Gregorian calendar. This corresponds to June 23 to 24 on the traditional Julian calendar.
The celebration is linked with the summer solstice when nights are the shortest and includes a number of Slavic rituals. This holiday symbolizes the birth of the summer sun – Kupalo.
In the fourth century AD, this day was Christianized and proclaimed the holiday of the birth of John the Baptist. As a result, the pagan feast day “Kupala” was connected with the Christian “Ivan” (Russian for John) which is why the Ukrainian, Belarusian and Russian name of this holiday combines “Ivan” and Kupala which is derived from the Slavic word for bathing.
The two feasts could be connected by reinterpreting John’s baptizing people through full immersion in water. However, the tradition of Kupala predates Christianity. The pagan celebration was adapted and reestablished as one of the native Christian traditions intertwined with local folklore.
And Then It Was Banned
In the XVIII century, there were a number of documents testifying to the fierce struggle of the Church and secular authorities with the Kupala rite.
For example, in 1719 Hetman of Zaporizhzhia Army, Chairman of the Cossack state of the left bank of Ukraine, Ivan Skoropadskyi issued a decree “On parties, fisticuffs, gatherings on the holiday of Ivan Kupala etc.”, which granted the right to physically punish (tie up and beat with sticks) and excommunicate from the Church all participants of Kupala games.
In 1723, Przemysl Cathedral in Bereziv banned dancing and entertainment near the Kupala fire. In 1769, Catherine II issued a decree banning the holiday. And despite all the prohibitions, the pagan nature of folk rituals was strong. The church did not ban the holiday, but it did try to fill it with Christian content.
It is the pagan essence, mysticism, marriage-erotic motifs of Kupala rite that attracted the attention of many researchers and artists. Thanks to public ritual such art masterpieces as the Opera “Ivana Kupala” by S. Pysarevskyi; folklore work of L. Ukrainka “Kupala in Volyn”; the story of M. Gogol “Night of Ivan Kupala”; the film of Yurii Ilienko “Night on Ivan Kupala”; the Folk Opera of Y. Sankovych “When the fern blooms.” The latter during 40 years was banned and only in 2017 its world premiere took place on the stage of the Lviv Opera.
At the beginning of the twentieth century Kupala rite gradually began to disappear. Today it exists in the “revived”, or rather “introduced” in Soviet times (during the anti-religious struggle) form of staged ceremony.
Although the magical meaning of rituals was leveled, and the celebration gained artistic value, the main pagan ritual actions have reached us – weaving of wreaths by girls and letting them into the water; honoring Kupala tree with dances; kindling the fire and jumping over the fire; ritual bathing; burning or sinking of trees; the burning of sacks of straw or stuffed dolls; the ceremonial dinner.
It is interesting that the name of the holiday, and the ritual fire, and decorated tree are called “Kupalo”, “Kupailo” or “Kupailytsia”. These are also the main elements of the rituals, which are based on the cult of fire, water and vegetation. Rituals symbolize the union of male (fire) and feminine (water) elements, were carried out with the aim of ensuring productivity, health, procreation.
On the territory of Ukraine for many centuries Kupala customs changed and they were not everywhere equally preserved. The majority were saved in Polissia as one of the more archaic zones of the Slavic world.
The holiday is still enthusiastically celebrated by the younger people of Eastern Europe. The night preceding the holiday (Tvorila night) is considered the night for “good humor” mischiefs (which sometimes would raise the concern of law enforcement agencies).
On Ivan Kupala day itself, children engage in water fights and perform pranks, mostly involving pouring water over people. Many of the rites related to this holiday are connected with the role of water in fertility and ritual purification.
According to ancient traditions, Ivan Kupala is the festival of the sun, and the most important role in mystical rites belongs to the power of fire. Our ancestors believed that the fire is the sun-embryo in the womb. Therefore, in the Kupala night taken to jump over the fire.
On Kupala day, young people jump over the flames of bonfires in a ritual test of bravery and faith. First, the oldest of the young men jumped over the fire.
For the highest jumpers it predicted a good harvest and prosperity for his family. Then pairs would jump, traditionally it would be a boy and a girl, but I assume that in some areas it’s permissible for pairs of any kind to take the jump together. If the couple is successful in their jump over the fire – they will certainly marry. The failure of a couple in love to complete the jump, while holding hands, is a sign of their destined separation. And anyone entering the flames during their jump can expect trouble
On the evening of July 6, unmarried girls take wreaths they have woven and throw them into the water. Unmarried men then try to grab the one belonging to the girl they are interested in. If you snag a wreath, the girl who made it will be expected to kiss you and the two of you will be paired up for the evening.
Girls may also float wreaths of flowers (often lit with candles) on rivers, in an attempt to gain foresight into their romantic relationships based from the flow patterns of the flowers on the river.
When the fun subsides, many people light candles from the hearth on pre-prepared wreath baskets and go to the river to put them on the water and thus honor their ancestors.
There is an ancient Kupala belief that the eve of Ivan Kupala is the only time of the year when ferns bloom. Prosperity, luck, discernment, and power befall whom ever finds a fern flower. Therefore, on that night, village folk roam through the forests in search of magical herbs, and especially, the elusive fern flower.
Traditionally, unmarried women, signified by the garlands in their hair, are the first to enter the forest. They are followed by young men. Therefore, the quest to find herbs and the fern flower may lead to the blooming of relationships between pairs within the forest.
It is to be noted, however, that ferns are not angiosperms (flowering plants), and instead reproduce by spores; they cannot flower.
In Gogol’s story The Eve of Ivan Kupala a young man finds the fantastical fern-flower, but is cursed by it. Gogol’s tale may have been the stimulus for Modest Mussorgsky to compose his tone poem Night on Bald Mountain, adapted by Yuri Ilyenko into a film of the same name.
This little-known festival was celebrated at the Temple of Edfu. It doesn’t sound like a Goddess festival, but it is, for the Hand of the God was called Iusaas or Iusaaset. This Goddess, honored in the city of Heliopolis wore a scarab beetle on her head, the symbol of transformation. She was the counterpart of the god Atum, literally his hand.
In the Pyramid Texts an early genesis story recounts how the divine All, the androgynous Atum, created the world from the substance of himself it reads:
“Atum was creative in that he proceeded to masturbate with himself in Heliopolis; he put his penis in his hand that he might obtain the pleasure of emission thereby, and there were born brother and sister ~ that is, Shu and Tefnut.”
Like Isis with whom she is sometimes identified, Iusaaset (whose name means “She Comes While She Grows Large,” a name underscoring the masturbation motif), had a sister called Nebet-hotepet, who is linked with Nephthys. Nephthys name probably means The House of Offering” perhaps referring to the womb of the All which is offered for use during the conception, gestation, and birth of the world.
It is no accident that the Feast of the Hand of the God occurs between two other birth festivals (The Birth of Horus the Younger and the Pregnancy of Nut). It is, after all, a season near the vernal equinox when light has returned to the sky and the days grow in length. It is a time when the world is made new again, when the Hand of the God brings forth life from the waters of chaos. It represents the union of masculine and feminine energies to create and sustain life.
Festival Celebration Ideas
It is unclear how the festival was celebrated in ancient Egypt. Some historians suggest that there might have been sexual rites or ritual marriages. This might be a good time for sex magick, if that is something that you enjoy.
In the Temple of Dendera, which has been called the Castle of the Menat, The Feast of the Hand of the God might have been a day in which all pregnant, including the wives and concubines of the pharaoh, might come to the temple to be blessed. Perhaps the day began with a sunrise devotion to the goddess as Mother of the All.
Perhaps amid the strains of beautiful music, the priestesses touched each pregnant woman’s belly and breasts, or anointed their faces with perfume, or even milk, whispering words of welcome to the unborn children, saying the same words priestesses used to great the nomarch Senbi, “for your spirit, behold the menat of your mother, Hathor. May she make you flourish as long as you desire.”
Hymn to Isis
Enchantress and wife, she stamps and spins.
She raises her arms
to dance. From her armpits arises a hot perfume
that fills the sails of boats along the Nile.
She stirs breezes that make the sailors swoon
and opens the eyes of statues. Under her spell,
I come to myself; under her body I come to life.
Dawn breaks through the diaphanous weave of
her dress. She dances and draws down heaven.
Sparks scatter from her heels and on earth tumbles
forth an expanse of stars…”
Activities For Today
Here are some ideas you might want to explore today. They can, of course, be done at any time.
- Get Creative
The act of creation can be playful, fun, colorful, and messy. Do a Google search and you will find a lot of simple ideas for how to make art with hand prints. This is a fun activity for kids, and the child within.
In your journal, explore what it means to you to be a cocreator of the universe with the Divine.
- Make a Collage
Gather some magazines that you feel free to cut up. Leaf through them, searching for images that appeal to you. Perhaps the images hint at where you focus your energies or where you will focus your energies in the future. Cut out the images and lay them aside. Outline your hands on a sheet of paper.
Slowly, meditatively, begin to trim, sort, and paste the images onto the image of your own hands. You might use the right hand for things that you already create and the left hand for things you will create in the future. Around the edges of these hands, write a myth of yourself as the creator of this world.
- Make a Physical Connection
Our bodies are instruments of our connection to the physical universe. Reestablish a connection to your body’s natural wisdom. With crayon, outline your body on a long sheet of butcher paper.
Begin at the top of your head and record what each part of your body remembers: your hair, your cheeks, your nose, etc. Try to list both joys and sorrows. When you find a part of your body that holds many strong memories, make not of it.
Later, return to that spot and write a dialog with that part of your body.
Source: Feasts of Light
The Powamu Festival is the mid-winter ceremony and also called the Bean Planting Festival. It is observed in late January or early February. The celebration lasts 8 days and is mainly celebrated by the Hopi Indians in Arizona.
The Hopis call their ancestral spirits, Katchinas. They believe that for 6 months of the year, these spirits leave their mountain homes and visit the tribe. When they do this, they bring along with them good health to the Hopi and rain for their crops. The Powamu Festival celebrates the spirits return, just like the Niman Katchina ceremony in July celebrates their departure.
The preparations for the ceremony include repainting of the masks that will be worn by those Hopi who impersonate the Katchinas. On the third day, young men bring baskets of wet sand that they leave near the entrance to the kiva, the ceremonial meeting room (see more about this on Wuwuchim page). A hot fire also burns in every kiva of very Hopi village the entire 8 days of the Powamu Festival. Blankets are also stretched across the opening so that the atmosphere inside is similar to a hothouse.
Each man who enters the kiva during this period carries a basket (or bowl) of sand into it. He also plants a handful of beans, which sprout really fast due to all the heat and humidity inside the kiva.
Why bean sprouts? The Hopi believe that bean sprouts represent fertility. Because the Hopi rely strongly on the Katchinas to bring rain (and other good weather conditions) essential to the growth of their crops, bean sprouts also symbolize the approaching spring too.
The Powamu comes to it’s conclusion with a dance that takes place in the nine kivas that dot the northeastern Arizona mesa. The bodies of the dancers are painted red and white and they wear squash blossoms in their hair. These are really yucca fibers twisted into the shape of a squash blossom. They also wear white kilts and sashes, plus leggings with a fringe of shells tied down the side.
The dance takes place inside the hot kiva and is done in two lines. When the dance is over, the dancers then leave for the next village’s kiva, and another group arrives. So, by the time the night is over, each group will have danced at all of the nine kivas.
Then, the Katchinas arrive the next morning wear masks and painted bodies. They bring dolls and rattles for the girls; and, bow and arrows for the boys. Both of the boys and girls get the green bean sprouts that have been growing in the hot kivas.
Clowns run around making jokes, tripping each other and performing pantomines for everyone’s pleasure and fun. The conclusion of the Powamu ends with a feast in which bean sprouts are the main ingredient.
From this time until their departure in July, the Katchinas appear regularly in masked ceremonies performed in the Hopi villages.
The men who impersonate the Katchinas wear masks which vary from year to year. A few of the masks will, however, remain the same. Before the dance, the masks are repainted and refurbished. They are made to fit closely over the head, hiding it totally. There is also a ruff of feathers, fur or spruce at the neck. The face on the mask usually resembles a bird, a beast, a monster or a man or a combination of all of these.
Those who wear the Katchina masks usually also carry an object associated with the being they are suppose to represent (i.e. bow and arrow, a yucca whip or feathers.)
The female Katchinas (who are not really women but are impersonated by the men) wear wigs or long hair styled in flat swirls over the ears known as squash blossoms. This hair style represents virginity.
The Soyokmana is a witch-like creature that carries a crook and a bloody knife. She goes along with the Katchinas as they go from Hopi village to another visiting their kivas. This group also goes from house to house demanding food, receiving gifts and presenting bean sprouts.
When the food they are offered does not meet their requirements, the Katchinas get upset and make hooting and whistling noises and refuse to leave until they have been properly fed! (This sort of reminds me of trick or treating on Halloween.) Sometimes that mean ol’ Soyokamana will use her crook to hook a child around the neck and hold him or her there, screaming in terror. Parents tell their children that this is a punishment for being naughty.
The Flogging Ceremony
Up until a Hopi child is 9 or 10, they believe that the Katchinas are superhuman. So when Hopi children, who have been seeing the Katchinas at many ceremonial dances grow up, they are told that the real Katchinas no longer visit the earth, but are merely impersonated by men wearing masks.
The price for this sudden wisdom is to participate in a ritual flogging or whipping ceremony. Now, the children are NEVER struck hard enough to cause serious injury or pain! This ritual is not intended to be cruel. In fact, sometimes a child who is really frightened, isn’t flogged at all but has a yucca whip whirled over his or her head. Occasionally, an adult will be flogged too, which is believed to promote healing.
For four successive mornings, the child who has been flogged is taken to a special place on the mesa where he or she can make an offering at a shrine and casts meal towards the sun. During the first 3 days of this 4 day period, the child is not allowed to eat salt or meat. But, on the fourth day, these rules are lifted. And, from this time on, the child is now allowed to look at the Katchinas without their masks and at other sacred objects in the kiva without incurring any punishment.
According to moon lore, for best results you should set eggs (place eggs under a hen or in an incubator) during specific phases of the moon. It occured to me that if these are good days to set eggs, they might also be good days for fertility magick.
Here are the optimum dates for 2019:
- January: 16 – 18, 26, 27
- February: 13, 14, 22, 23
- March: 21 – 23
- April: 18, 19, 26
- May: 15, 16, 24, 25
- June: 11, 12, 20, 21
- July: 10, 17, 18
- August: 13, 14, 23
- September: 10, 11, 19 – 21
- October: 7, 8, 16 – 18
- November: 5, 13, 14
- December: 10, 11
Source: The Farmers’ Almanac
May Day is a public holiday usually celebrated on 1 May. It is an ancient Northern Hemisphere spring festival and a traditional spring holiday in many cultures. Dances, singing, and cake are usually part of the festivities.
Ancient spring rites that related human fertility to crop fertility gave birth to most modern May Day festivities. May 1 is the traditional day to crown the May queen, dance around the maypole, perform mummers’ plays, and generally celebrate the return of spring. Although our Pilgrim fathers were horrified by these reminders of a pagan past and outlawed all such activities, the maypole dance remains an enduring event.
In Great Britain, the custom of “bringing in the May” involves gathering “knots,” or branches with buds, on the eve or early morning of May 1. In England, a favorite branch is hawthorn. In Scotland and Wales, people choose the rowan, or mountain ash. In North America, we often select forsythia, lilac, or pussy willow branches to bring spring and the prospect of new life into our homes.
The best known modern May Day traditions, observed both in Europe and North America, include dancing around the maypole and crowning the Queen of May. Fading in popularity since the late 20th century is the tradition of giving of “May baskets,” small baskets of sweets or flowers, usually left anonymously on neighbors’ doorsteps.
In the late 20th century, many neopagans began reconstructing some of the older pagan festivals and combining them with more recently developed European secular and Catholic traditions, and celebrating May Day as a pagan religious festival.
It’s impossible to think of Mayday without thinking of the Maypole. This is perhaps one of the most popular symbols of the season, representing the Divine Marriage between the Lord and Lady of the Greenwood. The pole represents the male principle, and the ribbons that wrap around it (and the wreath placed atop the pole) are symbolic of the female principle.
The Maypole represents the phallus of the God. The wreath atop represents the vagina of the Goddess. As the Maypole is danced, the ribbons wind around the pole and the wreath lowers, symbolizing the Divine Marriage, the sexual union of God and Goddess.
The Maypole Dance
The May Day dance is rich in pagan symbolism. There are usually eight dancers, one for each sabbat of the year, paired into four couples. (Of course, many more may dance. This is only a suggestion.) The dance involves moving in circles and weaving over and under the other dancers. The women take the white ribbons with their right sides to the pole, and the men take the red ribbons with their left sides to the pole.
The weaving of the symbolic birth canal begins with music or chanting as everyone moves forward from where they stand, moving alternately over and under each person coming toward them. (To start, the men begin weaving under the upheld ribbon of the first woman they encounter). Continue the dance until the maypole is wrapped. Tie off the ribbons and let the wreath drop to the ground.
Many folks wear bells when dancing the May dance. Make your steps a cross between a skip and a jog, coming down in time to the music, so that the bells mark off the beats of the music or chant.
May Day Chants
We are the flow and we are the ebb
We are the weavers, we are the web
We are the needle, we are the thread
We are the witches, back from the dead
We are weaving the web of life.
Weave, weave, weave me a rainbow
Out of the falling rain.
Weave me the hope of a new tomorrow.
Fill my cup again
Lady, weave Your circle tight
With a web of living light
Earth and Air and Fire and Water
Bind us to you.
The traditional Maypole is a fir tree that has been stripped of all but its uppermost branches (often the trunk of the Yule tree was saved for the Maypole), but traditions vary. Some use oak; others pine. It may range in height from a few feet to as large as you care to make it. (Bear in mind, ribbon will need to be twice as long as the pole.) With unlimited space outdoors, ten feet is a good length. Of course, in a pinch, even a flagpole would do. For those who have restricted space or who have to celebrate indoors, a 3-4 foot dowel inserted in a wooden base and placed upon the altar will work as well.
If you cut a tree for the Maypole, please ask the tree’s permission before cutting and leave an offering at the base. An offering of food, wine, or flowers is entirely appropriate.
However many ribbons you use, you will need equal numbers of at least two colors, depending on the number of dancers you’ll have. I recommend at least 6-8 dancers. Ribbons for the pole should be twice as long as the pole and about two to three inches wide. Colors vary according to preference. Traditional colors are red for the God and white for the virgin Goddess. Some use colors of the season — hunter green for the forest, gold for the sun, or purple for the color of grapes and wine. I’ve even heard of people using a rainbow of colors to represent the signs of the zodiac. Some traditions request that dancers bring a ribbon in a color representing a certain blessing they might wish for.
The ribbons can be tied just below the topmost branches of the tree or adhered to the top of the pole with thumbtacks, nails, or glue. In Dancing with the Sun, Yasmine Galenorn recommends making crosscuts on the top end of the pole, tying knots on the end of each ribbon, and threading the ribbons through the slits at the top of the pole. The knots will keep the ribbon from sliding out of the slits as it is woven around the pole.
The wreath should be made on Beltane morning. It is traditional to go to the fields to gather May flowers at this time. Fashion a wreath from greenery and decorate with the first blooms of the season. It must be somewhat bigger than the top of the maypole, taking into account any branches you left at the top, in order that it may fall down the pole as the ribbons are wound.
Consecrate the Maypole
Erection of the Maypole should be carried out with great fanfare. Once the tree has been selected, cut down, and the branches removed, it might be carried in processional to the dance site. Next, a hole must be dug. Pour an offering of water with a pinch of salt or a purifying herb like rosemary into the opening with words like:
Earth Mother, may this offering
Prepare you to receive
This symbol of your consort, our Lord.
Next, anoint the Maypole itself, using altar oil or a mixture of any of the following: myrrh, musk, and/or sweet woodruff. With the oil, make the sign of the solar cross, or the Rune inguz, a rune related to the annual “king’s circuit,” or walking of the land, to ensure the fertility of the land:
At each anointing, say:
Blessed be this tree,
Vehicle of our Lord
Which shall soon enter
Our Mother, the Earth.
When the Maypole has been erected and decorated, light the balefire and celebrate!
Historical May Day Celebrations
The earliest known May celebrations appeared with the Floralia, festival of Flora, the Roman goddess of flowers, held on 27 April during the Roman Republic era, and the Maiouma or Maiuma, a festival celebrating Dionysus and Aphrodite on an unknown date in May every three years. The Floralia opened with theatrical performances. In the Floralia, Ovid says that hares and goats were released as part of the festivities. Persius writes that crowds were pelted with vetches, beans, and lupins. A ritual called the Florifertum was performed on either April 27 or May 3, during which a bundle of wheat ears was carried into a shrine, though it is not clear if this devotion was made to Flora or Ceres. Floralia concluded with competitive events and spectacles, and a sacrifice to Flora.
According to the 6th century chronicles of John Malalas, the Maiouma was a “nocturnal dramatic festival, held every three years and known as Orgies, that is, the Mysteries of Dionysus and Aphrodite” and that it was “known as the Maioumas because it is celebrated in the month of May-Artemisios”. During this time, enough money was set aside by the government for torches, lights, and other expenses to cover a thirty-day festival of “all-night revels.” The Maiouma was celebrated with splendorous banquets and offerings. Its reputation for licentiousness caused it to be suppressed during the reign of Emperor Constantine, though a less debauched version of it was briefly restored during the reigns of Arcadius and Honorius, only to be suppressed again during the same period.
A later May festival celebrated in Germanic countries, Walpurgis Night, commemorates the official canonization of Saint Walpurga on May 1st, 870. In Gaelic culture, the evening of April 30th was the celebration of Beltane (which translates to “lucky fire”), the start of the summer season. First attested in 900 AD, the celebration mainly focused on the symbolic use of fire to bless cattle and other livestock as they were moved to summer pastures. This custom continued into the early 19th century, during which time cattle would be made to jump over fires to protect their milk from being stolen by fairies. People would also leap over the fires for luck.
May Day was abolished and its celebration banned by Puritan parliaments during the Interregnum, but reinstated with the restoration of Charles II in 1660. 1 May 1707, was the day the Act of Union came into effect, joining England and Scotland to form the Kingdom of Great Britain.
Queen Guinevere’s Maying, by John Collier
For thus it chanced one morn when all the court,
Green-suited, but with plumes that mocked the may,
Had been, their wont, a-maying and returned,
That Modred still in green, all ear and eye,
Climbed to the high top of the garden-wall
To spy some secret scandal if he might,
Since the 18th century, many Roman Catholics have observed May – and May Day – with various May devotions to the Blessed Virgin Mary. In works of art, school skits, and so forth, Mary’s head will often be adorned with flowers in a May crowning. 1 May is also one of two feast days of the Catholic patron saint of workers St Joseph the Worker, a carpenter, husband to Mother Mary, and surrogate father of Jesus. Replacing another feast to St. Joseph, this date was chosen by Pope Pius XII in 1955 as a counterpoint to the communist International Workers Day celebrations on May Day.
In the late 19th century, May Day was chosen as the date for International Workers’ Day by the Socialists and Communists of the Second International to commemorate the Haymarket affair in Chicago. International Workers’ Day can also be referred to as “May Day”, but it is a different celebration from the traditional May Day.
May Day Celebrations Around The World
Traditional English May Day rites and celebrations include crowning a May Queen and celebrations involving a maypole, around which dancers often circle with ribbons. Historically, Morris dancing has been linked to May Day celebrations. The earliest records of maypole celebrations date to the 14th century, and by the 15th century the maypole tradition was well established in southern Britain.
In Oxford, it is a centuries-old tradition for May Morning revellers to gather below the Great Tower of Magdalen College at 6 am to listen to the college choir sing traditional madrigals as a conclusion to the previous night’s celebrations. Since the 1980s some people then jump off Magdalen Bridge into the River Cherwell. For some years, the bridge has been closed on 1 May to prevent people from jumping, as the water under the bridge is only 2 feet (61 cm) deep and jumping from the bridge has resulted in serious injury in the past. There are still people who climb the barriers and leap into the water, causing themselves injury.
In Durham, students of the University of Durham gather on Prebend’s Bridge to see the sunrise and enjoy festivities, folk music, dancing, madrigal singing and a barbecue breakfast. This is an emerging Durham tradition, with patchy observance since 2001.
Whitstable, Kent, hosts a good example of more traditional May Day festivities, where the Jack in the Green festival was revived in 1976 and continues to lead an annual procession of Morris dancers through the town on the May bank holiday.
A separate revival occurred in Hastings in 1983 and has become a major event in the town calendar. A traditional sweeps festival is performed over the May bank holiday in Rochester, Kent, where the Jack in the Green is woken at dawn on 1 May by Morris dancers.
At 7:15 p.m. on 1 May each year, the Kettle Bridge Clogs Morris dancing side dance across Barming Bridge (otherwise known as the Kettle Bridge), which spans the River Medway near Maidstone, to mark the official start of their Morris dancing season.
Also known as Ashtoria Day in northern parts of rural Cumbria. A celebration of unity and female bonding. Although not very well known, it is often cause for huge celebration.
Padstow in Cornwall holds its annual Obby-Oss (Hobby Horse) day of festivities. This is believed to be one of the oldest fertility rites in the UK; revellers dance with the Oss through the streets of the town and even through the private gardens of the citizens, accompanied by accordion players and followers dressed in white with red or blue sashes who sing the traditional “May Day” song. The whole town is decorated with springtime greenery, and every year thousands of onlookers attend. Prior to the 19th-century, distinctive May Day celebrations were widespread throughout west Cornwall, and are being revived in St. Ives and Penzance.
Kingsand, Cawsand and Millbrook in Cornwall celebrate Flower Boat Ritual on the May Day bank holiday. A model of the ship The Black Prince is covered in flowers and is taken in procession from the Quay at Millbrook to the beach at Cawsand where it is cast adrift. The houses in the villages are decorated with flowers and people traditionally wear red and white clothes. There are further celebrations in Cawsand Square with Morris dancing and May pole dancing.
May Day has been celebrated in Scotland for centuries. It was previously closely associated with the Beltane festival. Reference to this earlier celebration is found in poem ‘Peblis to the Play’, contained in the Maitland Manuscripts of fifteenth- and sixteenth-century Scots poetry:
At Beltane, quhen ilk bodie bownis
To Peblis to the Play,
To heir the singin and the soundis;
The solace, suth to say,
Be firth and forrest furth they found
Thay graythis tham full gay;
God wait that wald they do that stound,
For it was their feist day,
Thay said, […]
The poem describes the celebration in the town of Peebles in the Scottish Borders, which continues to stage a parade and pageant each year, including the annual ‘Common Riding’, which takes place in many towns throughout the Borders. As well as the crowning of a Beltane Queen each year, it is custom to sing ‘The Beltane Song’.
In Edinburgh, the Beltane Fire Festival is held on the evening of May eve and into the early hours of May Day on the city’s Calton Hill. An older Edinburgh tradition has it that young women who climb Arthur’s Seat and wash their faces in the morning dew will have lifelong beauty. At the University of St Andrews, some of the students gather on the beach late on April 30 and run into the North Sea at sunrise on May Day, occasionally naked. This is accompanied by torchlit processions and much elated celebration.
In Wales the first day of May is known as Calan Mai or Calan Haf, and parallels the festival of Beltane and other May Day traditions in Europe.
Traditions would start the night before (Nos Galan Haf) with bonfires, and is considered a Ysbrydnos or spirit night when people would gather hawthorn and flowers to decorate their houses, celebrating new growth and fertility. While on May Day celebrations would include summer dancing and May carols other times referred to as “singing under the wall”, May Day was also a time for officially opening a village green.
In Finland, Walpurgis night (Vappu) (“Vappen”) is one of the four biggest holidays along with Christmas Eve, New Year’s Eve, and Midsummer. Walpurgis witnesses the biggest carnival-style festival held in Finland’s cities and towns. The celebrations, which begin on the evening of 30 April and continue on 1 May, typically centre on the consumption of sima, sparkling wine and other alcoholic beverages.
Student traditions, particularly those of engineering students, are one of the main characteristics of Vappu. Since the end of the 19th century, this traditional upper-class feast has been appropriated by university students. Many university-preparatory high school alumni wear the black and white student cap and many higher education students wear student coveralls. One tradition is to drink sima, a home-made low-alcohol mead, along with freshly cooked funnel cakes.
On 1 May 1561, King Charles IX of France received a lily of the valley as a lucky charm. He decided to offer a lily of the valley each year to the ladies of the court. At the beginning of the 20th century, it became custom to give a sprig of lily of the valley, a symbol of springtime, on 1 May. The government permits individuals and workers’ organisations to sell them tax-free on that single day. Nowadays, people may present loved ones either with bunches of lily of the valley or dog rose flowers.
In rural regions of Germany, especially the Harz Mountains, Walpurgisnacht celebrations of pagan origin are traditionally held on the night before May Day, including bonfires and the wrapping of a Maibaum (maypole). Young people use this opportunity to party, while the day itself is used by many families to get some fresh air. Motto: “Tanz in den Mai” (“Dance into May”).
In the Rhineland, 1 May is also celebrated by the delivery of a maypole, a tree covered in streamers to the house of a girl the night before. The tree is typically from a love interest, though a tree wrapped only in white streamers is a sign of dislike. Women usually place roses or rice in the form of a heart at the house of their beloved one. It is common to stick the heart to a window or place it in front of the doormat. In leap years, it is the responsibility of the women to place the maypole. All the action is usually done secretly and it is an individual’s choice whether to give a hint of their identity or stay anonymous.
May Day has been celebrated in Ireland since pagan times as the feast of Beltane (Bealtaine) and in latter times as Mary’s day. Traditionally, bonfires were lit to mark the coming of summer and to grant luck to people and livestock. Officially Irish May Day holiday is the first Monday in May. Old traditions such as bonfires are no longer widely observed, though the practice still persists in some places across the country.
In Italy it is called Calendimaggio or cantar maggio a seasonal feast held to celebrate the arrival of spring. The event takes its name from the period in which it takes place, that is, the beginning of May, from the Latin calenda maia. The Calendimaggio is a tradition still alive today in many regions of Italy as an allegory of the return to life and rebirth. This magical-propitiatory ritual is often performed during an almsgiving in which, in exchange for gifts (traditionally eggs, wine, food or sweets), the Maggi (or maggerini) sing auspicious verses to the inhabitants of the houses they visit.
Throughout the Italian peninsula these Il Maggio couplets are very diverse—most are love songs with a strong romantic theme, that young people sang to celebrate the arrival of spring. Symbols of spring revival are the trees (alder, golden rain) and flowers (violets, roses), mentioned in the verses of the songs, and with which the maggerini adorn themselves. In particular the plant alder, which grows along the rivers, is considered the symbol of life and that’s why it is often present in the ritual.
Calendimaggio can be historically noted in Tuscany as a mythical character who had a predominant role and met many of the attributes of the god Belenus. In Lucania, the Maggi have a clear auspicious character of pagan origin. In Syracuse, Sicily, the Albero della Cuccagna (cf. “Greasy pole”) is held during the month of May, a feast celebrated to commemorate the victory over the Athenians led by Nicias. However, Angelo de Gubernatis, in his work Mythology of Plants, believes that without doubt the festival was previous to that of said victory.
It is a celebration that dates back to ancient peoples, and is very integrated with the rhythms of nature, such as the Celts (celebrating Beltane), Etruscans and Ligures, in which the arrival of summer was of great importance.
Maios (Latin Maius), the month of May, took its name from the goddess Maia (Gr Μαία, the nurse), a Greek and Roman goddess of fertility. The day of Maios (Modern Greek Πρωτομαγιά) celebrates the final victory of the summer against winter as the victory of life against death. The celebration is similar to an ancient ritual associated with another minor demi-god Adonis which also celebrated the revival of nature.
There is today some conflation with yet another tradition, the revival or marriage of Dionysus (the Greek God of theatre and wine-making). This event, however, was celebrated in ancient times not in May but in association with the Anthesteria, a festival held in February and dedicated to the goddess of agriculture Demeter and her daughter Persephone. Persephone emerged every year at the end of Winter from the Underworld. The Anthesteria was a festival of souls, plants and flowers, and Persephone’s coming to earth from Hades marked the rebirth of nature, a common theme in all these traditions.
What remains of the customs today, echoes these traditions of antiquity. A common, until recently, May Day custom involved the annual revival of a youth called Adonis, or alternatively of Dionysus, or of Maios (in Modern Greek Μαγιόπουλο, the Son of Maia). In a simple theatrical ritual, the significance of which has long been forgotten, a chorus of young girls sang a song over a youth lying on the ground, representing Adonis, Dionysus or Maios. At the end of the song, the youth rose up and a flower wreath was placed on his head.
The most common aspect of modern May Day celebrations is the preparation of a flower wreath from wild flowers, although as a result of urbanisation there is an increasing trend to buy wreaths from flower shops. The flowers are placed on the wreath against a background of green leaves and the wreath is hung either on the entrance to the family house/apartment or on a balcony. It remains there until midsummer night.
On that night, the flower wreaths are set alight in bonfires known as St John’s fires. Youths leap over the flames consuming the flower wreaths. This custom has also practically disappeared, like the theatrical revival of Adonis/Dionysus/Maios, as a result of rising urban traffic and with no alternative public grounds in most Greek city neighbourhoods, not to mention potential conflicts with demonstrating workers.
On May Day, Bulgarians celebrate Irminden (or Yeremiya, Eremiya, Irima, Zamski den). The holiday is associated with snakes and lizards and rituals are made in order to protect people from them. The name of the holiday comes from the prophet Jeremiah, but its origins are most probably pagan.
It is said that on the days of the Holy Forty or Annunciation snakes come out of their burrows, and on Irminden their king comes out. Old people believe that those working in the fields on this day will be bitten by a snake in summer.
In western Bulgaria people light fires, jump over them and make noises to scare snakes. Another custom is to prepare “podnici” (special clay pots made for baking bread).
This day is especially observed by pregnant women so that their offspring do not catch “yeremiya” — an illness due to evil powers.
On May Day, the Romanians celebrate the arminden (or armindeni), the beginning of summer, symbolically tied with the protection of crops and farm animals. The name comes from Slavonic Jeremiinŭ dĭnĭ, meaning prophet Jeremiah’s day, but the celebration rites and habits of this day are apotropaic and pagan (possibly originating in the cult of the god Pan).
The day is also called ziua pelinului (“mugwort day”) or ziua bețivilor (“drunkards’ day”) and it is celebrated to ensure good wine in autumn and, for people and farm animals alike, good health and protection from the elements of nature (storms, hail, illness, pests). People would have parties in natural surroundings, with lăutari (fiddlers) for those who could afford it. Then it is customary to roast and eat lamb, along with new mutton cheese, and to drink mugwort-flavoured wine, or just red wine, to refresh the blood and get protection from diseases. On the way back, the men wear lilac or mugwort flowers on their hats.
Other rites include, in some areas of the country, people washing their faces with the morning dew (for good health) and adorning the gates for good luck and abundance with green branches or with birch saplings (for the houses with maiden girls). The entries to the animals’ shelters are also adorned with green branches. All branches are left in place until the wheat harvest when they are used in the fire which will bake the first bread from the new wheat.
On May Day eve, country women do not work in the field as well as in the house to avoid devastating storms and hail coming down on the village.
Arminden is also ziua boilor (oxen day) and thus the animals are not to be used for work, or else they could die or their owners could get ill.
It is said that the weather is always good on May Day to allow people to celebrate.
“Maias” is a superstition throughout Portugal, with special focus on the northern territories and rarely elsewhere. It may also be referred to by other names, including Dia das Bruxas (Witches’ day), O Burro (the Donkey, referring to an evil spirit) or the last of April, as the local traditions preserved to this day occur on that evening only.
People put the yellow flowers of Portuguese brooms, the bushes are known as giestas. The flowers of the bush are known as Maias, which are placed on doors or gates and every doorway of houses, windows, granaries, currently also cars, which the populace collect on the evening of the 30th of April when the Portuguese brooms are blooming, to defend those places from bad spirits, witches and the evil eye. The placement of the May flower or bush in the doorway must be done before midnight.
These festivities are a continuum of the “Os Maios” of Galiza. In ancient times, this was done while playing traditional night-music. In some places, children were dressed in these flowers and went from place to place begging for money or bread. On the 1st of May, people also used to sing “Cantigas de Maio”, traditional songs related to this day and the whole month of May.
“Prvomajski uranak” (Reveille on May 1st) is a folk tradition and feast that consists of the fact that on May 1, people go in the nature or even leave the day before and spend the night with a camp fire. Most of the time, a dish is cooked in a kettle or in a barbecue. Among Serbs this holiday is widespread. Almost every town in Serbia has its own traditional first-of-may excursion sites, and most often these are green areas outside the city.
In Poland, there is a state holiday on 1 May. It is currently celebrated without a specific connotation, and as such it is May Day. However, due to historical connotations, most of the celebrations are focused around Labor Day festivities. It is customary for labor activists and left-wing political parties to organize parades in cities and towns across Poland on this day. The holiday is also commonly referred to as “Labour Day” (“Święto Pracy”).
- Czech Republic
In Czech Republic, May Day is traditionally considered as a holiday of love and May as a month of love. The celebrations of spring are held on April 30th when a maypole (“májka” in Czech) is lifted—a tradition possibly connected to Beltane, since bonfires are also lit on that day. The event is similar to German Walpurgisnacht. It’s public holiday on April 30th. On May 31st, the maypole is taken down in an event called Maypole Felling.
On 1 May, couples in love are kissing under a blooming tree. A cherry, an apple or a birch is most often considered a suitable tree.
- United States
May Day was also celebrated by some early European settlers of the American continent. In some parts of the United States, May baskets are made. These are small baskets usually filled with flowers or treats and left at someone’s doorstep. The giver rings the bell and runs away.
In Hawaii, May Day is also known as Lei Day, and it is normally set aside as a day to celebrate island culture in general and the culture of the Native Hawaiians in particular. Invented by poet and local newspaper columnist Don Blanding, the first Lei Day was celebrated on 1 May 1927 in Honolulu. Leonard “Red” and Ruth Hawk composed “May Day Is Lei Day in Hawai’i,” the traditional holiday song.
- Dancing with the Sun by Yasmine Galenorn
- The Sabbats by Edain McCoy
- Ancient Ways by Pauline Campanelli
- Earth Witchery
Belenus, whose name means “Bright One,” was one of the most ancient of Celtic gods. The Celtic fire festival, held on the eve of the first of May, known as Beltane, (the fires of Bel) is probably derived from the name of this deity. Beltane fires were lit to encourage the sun’s warmth. These fires also had restorative properties and cattle were herded between them before being loosed on the new spring pastures.
Closely connected to the Druids, ruler of science, healing, hot springs, fire, success, prosperity, purification, crops, vegetation, fertility. It is likely that Belenus (Bel, or Beli) was a fire deity, a patron of flame and the sun’s restorative powers (which explains his classical association with Apollo). Originally he may have been a pastoral deity and in Cymric myth is associated with cattle, sheep and crops. Though this may be because Beltane was the time that herds were moved to the high pastures.
The Celtic god of light and healing, “Bel” means “shining one,” or in Irish Gaelic, the name “bile” translates to “sacred tree.” It is thought that the waters of Danu, the Irish All-Mother goddess, fed the oak and produced their son, The Dagda. As the Welsh Beli, he is the father of Arianrhod by Don.
Patron of sheep and cattle, Bel’s festival is Beltane, one of two main Celtic fire festivals. Beltane celebrates the return of life and fertility to the world — marking the beginning of Summer and the growing season.
Taking place on April 30 (May Eve) and in some areas on May 1, Beltane also is sometimes referred to as “Cetsamhain” which means “opposite Samhain.” The word “Beltaine” literally means “bright” or “brilliant fire,” and refers to the bonfire lit by a presiding Druid in honor of Bile.
Found at: Encyclopedia Mythica
The Goddess Carmenta is celebrated on two dates of the Roman calendar, (January 11 and 15), each day called Carmentalia. These dates should be considered as two separate festivals, rather than one festival extending over this period, yet it is not clear to us today, any more than it was during the Late Republic, why two such holidays should be in such close proximity in one month.
The festival, chiefly observed by women, celebrates Carmenta, who is the Goddess of women’s health, birthing, and prophecy. She is the inventor of letters, as Minerva is the inventor of numbers. She tells the future through Her sister Porrima and reveals the past through Her sister Postvorta, while Carmenta knows all that happens in the present.
Together the three Carmenae sisters are the Good Fates, the Three Mothers, and the Muses. The very name of Carmenta was given to song (carmen) and Latin terms for poetry, charms, and speaking-in-tongues. With Her songs she would soothe the ill and taught women how to care for themselves and their children. Her sanctuaries thus became places for women and children to receive traditional medical treatments using herbs and music.
Carmenta takes us back to a very early period, a time well before the beginnings of Rome around three thousand years ago, back into the Italian Bronze Age. She takes us back to the ecstatic tradition of the female priestesses called vates in which Latin religion began and in which the Religio Romana was first founded.
The sacred grove of Carmenta, the most ancient sanctuary in all of Rome, was located at the foot of the Capitoline Hill. It is still visited today where people gather waters from Her sacred spring. It was in this very grove that Carmenta appeared to Numa Pompilius in his dreams as the nymph Egeria. She instructed Numa on how to commune with the Gods.
With Egeria’s instruction, Numa Pompilius then established rituals for the Gods, festivals, and a calendar by which the Romans could attend these. Numa set out sanctuaries for Gods and Goddesses and he created colleges of priests and priestesses to serve the Gods and Goddesses. Egeria taught Numa the laws which he handed down to the Romans and which still govern our sacramental rituals today.
One of the laws of Numa states:
“The Gods are not to be represented in the form of man or beast, nor are there to be any painted or graven image of a deity admitted (to your rites).”
As one of the oldest Goddesses of Rome, whose worship was established by Numa, Carmenta was never represented by an image. It was sufficient to feel Her presence in the sacred grove below the Capitoline. In the same way, Vesta, Goddess of the Hearth, is never represented by an image but only by living fire.
Another law of Numa holds that:
“Sacrifices are not to be celebrated with an effusion of blood, but consist of flour, wine, and the least costly of offerings.”
The restriction against the use of blood sacrifices was so strong in the worship of Carmenta that no one was allowed to enter Her sacred grove wearing anything made of leather or animal hide. It is not right to take the life of another creature in worshiping the Goddess who helps birth life into the world. And thus it follows that today we offer Carmenta bay leaves as incense, a libation of milk, and popana cakes made of soft cheese and flower.
Invocation to Carmenta
Goddess of Women’s Health
Come, be present, Carmenta.
May Your sisters Porrima and Postvorta attend You.
With joyful mind come, Mother Carmenta, on You I call,
Come, stand by me, stay, and listen to my pleas.
Speak to me once more, in Your own words, as You did before.
In Your sacred grove where Egeria counseled King Numa,
bear forth now Your soothing songs to dispel our sorrows.
Come forth! I call to You, Good Goddess,
Great Goddess of charms.
Give voice, happy Voice of song,
With soothing songs as will cure our ills, or whatever else we fear.
Spare our daughters heavy with child, spare our wives in their pangs of labor,
Care for the mothers who worry over their children.
With pious rite I call out, I summon,
I entice with songs that You come forth, Carmenta,
And look favorably upon the matrons of our families.
In You, dearest Mother, in Your hands we place our safekeeping.
In offering to You this cake of cheese I pray good prayers
in order that, pleased with this offering of popana,
May You be favorable towards our children and to us,
Towards our homes and our households.
More About The Festivals:
According to legend, the cult of Carmenta predated Rome itself. In some accounts She was known as Nicostrate, the mother of Evander, who was fathered by Mercurius. Evander was the legendary founder of Paletum, a village that gave its name to the Palatine Hill. Her sacred grove, therefore, may have originally lain beneath the Palatine Hill as some ascribe it.
Indeed, it may be that it was in Her sacred grove beneath the Palatine that Romulus and Remus were said to have been discovered being suckled by a she-wolf, since Carmentis was so closely associated with the care of infants.
It was said that later Numa Pompilius founded a sacred grove for Her beneath the Capitoline Hill. The dedication of two groves to Carmentis is one possible reason why there were two days celebrated as Carmentalia in the month of January.
It was proposed by Huschke that the two festival days represented the Latins of Romulus and the Sabines of Titus Tatius, just as there were two companies of Luperci and two companies of Salii. Were that the case we might expect that She once had a sacred grove on the Esquiline Hill, and that Numa’s dedication beneath the Capitoline represented a union of the two culti Carmentalis.
The fasti Praeneste suggests that the second date was added by a victorious Roman general who had left the City by the Porta Carmentalis for his campaign against Fidenae. The gate received its name from its proximity to the sacred grove of Carmentis.
Yet another story was told by Ovid, linking the two dates to a protest by the matrons of Rome in 195 BCE. During the fourth century the Roman Senate had granted patrician matrons the privilege of riding in two- wheeled carriages in reward for their contribution in gold to fulfilling a vow to Apollo made by Camillus. The privilege was later to be temporarily revoked during the Second Punic War (215 BCE) along with sumptuary laws that limited the use of colored cloth and gold that women could wear, in order to save on private expenses and war materials (horses) and thus help in the war effort.
But the Senate did not at first renew the privileges at war’s end. In 195 Tribunes Marcus Fundanius and Lucius Valerius finally called for the repeal of this lex Oppia, but they were opposed by the brothers Marcus and Publius Junius Brutus.
Supporters for repealing the lex Oppia, and those who supported its remaining in effect, gathered daily on the Capitoline to argue over the matter. Soon women began to join in the disputes, their numbers increasing daily, even so much as women from the countryside entered into the City to advocate for their rights. The natural place for them to first congregate would have been at the grove of Carmentis. This may be what Ovid indicates by linking the protest to the Carmentalia.
Consul Marcius Porcius Cato spoke out against repealing the lex Oppia. The women then resolved to “refuse to renew their ungrateful husbands’ stock” until their privileges were restored, Ovid referring to the women resorting to abortion as their means of protest.
In a later period the Temple of the Bona Dea would become associated with the use of abortive herbs, and Carmentis associated with the use of the same herbs in birthing. In actuality both Carmentis and the Bona Dea were associated with birthing or prevention of pregnancy, and the difference between the Capitoline and Aventine temples may have been one of class distinction. Eventually the matrons of Rome regained their rights and, according to Ovid, the second Carmentalia was then begun in thanks to the Goddess for Her support. Ovid’s story is the least likely and most fanciful to account for the two Carmentaliae of January.
The notion that there may have earlier been two groves dedicated to Carmentis prior to the known grove beneath the Capitoline is a reasonable speculation, but still would not account for the two festivals. We are left then with the information provided by the Fasti Praeneste, although the inscription is mutilated and uncertain. This source may indicate that while the Carmentalia held on 11 January was dedicated to Carmentis, that of 15 January was intended to honor Janus as guardian of the Porta Carmentalis.
Different aspects of Carmentis related to Janus, and thus it is possible that a festival for Him would include Carmentis in similar fashion as festivals for Ops and Consus. The fact remains that we don’t know today why the month of January has two separate festivals for Carmentis.
Ritual for the Festival of Carmenta
- Color: Red
- Element: Earth
- Offerings: Give gifts to pregnant women in need.
- Daily Meal: Eggs.
- Altar: Upon a red cloth place seven red candles and the figure of a pregnant woman. If possible, a woman who is with child should be present and honored on this day.
All things grow in the dark place
Safe within the womb of the Mother,
Safe within the dream of the Mother.
The Earth lies now asleep
Full with big belly,
Each seed pregnant with hopes
Waiting for the return of the Sun.
So we are each of us,
Pregnant with hopes and dreams,
Big-bellied in our minds,
Waiting to for the moment
To begin our sacred labor.
This is the time of waiting,
Feeling the child within come to fruition,
Feeling it grow and change,
Feeling the faint motions
That signify the oncoming flood of life.
Call: May Life burst forth in a flood of joy!
Response: May Life come forth through the gate of eternity!
Call: We hail the Mother beneath our feet!
Response: We hail the Mother within our souls!
Call: We hail the Mothers from whence we descended!
Response: We hail the Mothers that are yet to bring forth!
Call: We hail the growth of possibility!
Response: We hail all that it yet to come!
Call: We hail the growth of the future!
Response: We wait for the birthing-time with open arms!
Mother I feel you under my feet
Mother I hear your heart beat
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