What really happens when you die? I don’t think anyone can know for sure unless they are dead. That being said, this was an interesting interview that I found on YouTube.
Peter Fenwick (born 25 May 1935) is a neuropsychiatrist and neurophysiologist who is known for his pioneering studies of end-of-life phenomena.
In this interview he talks about near-death-experiences (NDE), death-bed-visitors and how we can achieve a good death.
NDE research is at the cutting edge of consciousness research and offers a convincing model for the understanding of what happens when we die. Peter Fenwick describes the different transitional phases of the dying process and highlights the importance of letting go at the end of ones life.
He offers fascinating insights into common phenomena at the end of life, such as premonitions, seeing a light, death-bed-visions and coincidences.
In his opinion everybody should know about death and the dying process, because it is a normal part of living.
- Interviewer: Jens Rohrbeck
- Editor: Werner Huemer
- Director: Mehmet Yesilgöz
So, my daughter died. It was sudden, unexpected, and devastatingly final. Not ready to blog about that quite yet. However, during my morning meditation, I asked for someone to talk to me… my guides, angels, the powers that be, my daughter, my mother, my father… didn’t matter who… I was just looking for some sort of communication from beyond the physical.
And I sat with myself for … I don’t know… however long and nothing. Just round and round about stuff I needed to do today, stuff I did yesterday… miscellaneous brain bullshit. Feeling overwhelmed by all the work of dealing with the aftermath of a loss in the family… so much more on my plate now that I’m having to really be there and present for us all.
And then it was time to move along with the morning. But as I was walking out of the room, I looked down and there was a rune stone on the floor in front of the door. How it got way over there I have NO CLUE. It wasn’t there yesterday or the day before, and I hadn’t gotten them out for almost a week…
So… Wow! Communication from beyond the physical.
Here’s the message:
The rune was Algiz. The rune of Protection, Sedge or Rushes, the Elk. The metaphysical message of this rune is as follows:
Control of the emotions is at issue here. During times of transition, shifts in life course and accelerated self-change, it is important not to collapse yourself into your emotions, the highs as well as the lows. New opportunities and challenges are typical of this Rune. And with them may come trespasses and unwanted influences.
Algiz serves as a mirror for the Spiritual Warrior, the one whose battle is always with the self. The Warrior’s protection is like the curved horns of the elk, or the warning rustle of the sedge grass, for both serve to keep open space around you.
Remain mindful that timely right action and correct conduct are your only true protection. If you find yourself feeling pain, observe the pain, stay with it. Do not try to pull down the veil and escape from life by denying what is happening. you will progress; knowing that is your protection.
I have a book with a much more in depth and traditional interpretation of runes, and it’s way too long to post here, but some things really spoke to me, here they are:
It is essential that in being ‘connected’ directly with our ‘higher’ (spiritual) Source we have our feet firmly planted on the ground, for unless we are grounded in the practical world in which we are living out our lives we are in danger of becoming unbalanced…
The powerful protective influence of Algiz can be used to put an egg-shaped shield around you and anchor you more firmly to the Earth. Imagine the Rune like a rod or staff in your hand and on which you can rest and feel safe, secure and well grounded. Its force-field around you will act like a shield…. It will protect you on all levels – physical, emotional, mental and spiritual…
This rune can help you to find hidden powers to meet any challenge, and center and balance yourself when stressed.
And then there was this:
ALGIZ (also called Elhaz) is a powerful rune, because it represents the divine might of the universe. The white elk was a symbol to the Norse of divine blessing and protection to those it graced with sight of itself. Algiz is the rune of higher vibrations, the divine plan and higher spiritual awareness.
So thank you to the Powers That Be, and the All That Is, and my Guides, Angels, and those in Spirit who love me. That was unexpected, spot on, and just what I needed.
The testimony and investigation into the death of Addison Williams, dated 18 January 1873, can be found in the Bedford County Coroners’ Inquisitions, 1813-1899. The collection is open for research and available at the Library of Virginia.
On 25 December 1872 in Bedford County, VA, Williams paid a visit to the home of Cornelia and Charles Abram. He arrived “about light” and was given a dram of whiskey by William Ogden. Ogden then made a gallon of eggnog, and Williams “drank a glass and repeated several times.” Everyone present “drank eggnog freely,” but Williams enjoyed it most of all, drinking more than the rest of the party.
He “left the house and threw up,” only to come back and take another drink. Afterwards, Williams “left in a run, as in a prank,” never to be seen again. Williams “had commenced showing he was under the influence of liquor,” but no one at the party thought him too drunk to make it home. As one party goer put it, “…as I thought he was going so well it was useless for me to go with him.”
Unfortunately, Williams could have used a little assistance. He was found on Christmas morning “dead and frozen” mere yards from his house. The resulting coroner’s inquisition determined Williams came to his death as a result of “being exposed to the cold after drinking a large quantity of mean whiskey.”
Source: Appalachian History
any one who has endured several winters in Denmark, and then imagines oneself having to suffer through such a winter one hundred years back, living in poverty as many rural people did, it is not hard to imagine why someone could be as somber as our subject is, regardless of what it is that he might actually have encountered during his lifetime leading up to this moment. to me, when I first cast my eyes upon this painting, I thought, “ahh, the perfect winter painting.”
in all honesty, though, there is a truth seeking element in this painting that is also unusual for danish art – which draws me to this work.
the choice of subject soberly confronts the notion of death and dying, a topic that elicits extreme discomfort in Denmark, supported by the fact that most old people in this country die alone, either at home or in nursing homes (this I know, from research I once did for a feature film that I worked on)…
the positioning of the subject, off balanced in an almost empty space, is very typical of Scandinavian work, and it brings to mind both Carl Dreyer’s film work, and of course, Bergman, enhanced by the “wide screen” format of the image.
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