- Alternate Names: Baitatá, Biatatá, Bitatá, Batatão, Batatá, Mboitatá, M’boiguaçu, Mbaê-Tata
- Origins: Brazilian mythology, legend and folklore
- Element: Fire, Water
- Species: Serpent
- Appearance: Flaming, bright, giant horned aquatic serpent, or glowing eyes in the dark
- Powers: Protects the Rainforest
- Manifestation: A giant snake with enormous fiery eyes that crawls over the open fields at night. Sometimes described as a giant fire snake.
Boitatá is a mythological serpent from Brazilian mythology, legend and folklore. It is the Brazilian equivalent of the will-o’-the-wisp. The name comes from the Old Tupi language and means “fiery serpent” (mboî tatá). Its great fiery eyes leave it almost blind by day, but by night, it can see everything.
The Boitatá is a good entity, but it may kill anything which is violating the forests. Their diet consists of eyes from dead animals or its victims.
According to the legend, there was once a long period of darkness when the sun did not shine and a deluge flooded the earth. These conditions killed many animals and forced the beasts to flee their natural habitat. A “boiguaçu” (a cave anaconda) left its cave after the deluge and, in the dark, went through the fields preying on the animals and corpses, eating exclusively its favorite morsel, the eyes of the dead, which shone brightly in the darkness and made for tasty delicacies.
As the snake ate more and more of these delicious, shiny eyes, its body began to shine. The collected light from the eaten eyes gave “Boitatá” its fiery gaze, but the eyes-only diet steadily weakened it, and it perished… in a blaze of glory. For, upon its death, all the light collected inside it escaped to the sun, and the dark days were finally over.
There must have been some magic in all those eyeballs, because the boitatá lived on in spirit. It inhabits the Amazon jungles to this day, often appearing at night as nothing but two glowing, fiery eyes. Some say it can breathe fire as well, an ability it uses to incinerate people who harm the rainforest by chopping trees down or starting fires.
Others say it can actually disguise itself as a tree trunk, then roast alive any lumberjack who comes to cut it down. It is also said that it will blind you and make you insane if you gaze into its eyes.
There are other versions of the legend that describe the boitatá as a giant, fiery bull who hunts the hunters, and yet others that associate it with almas penadas – souls that are cursed for various reasons, from immorality to dealing dishonestly with the devil.
Many descriptions of the boitatá legend connect it with ignis fatuus, or that fiery phenomenon known as the will-o’-the-wisp. There is some overlap between the legends of the boitatá and the boiúna, an evil black snake that is said to take a variety of forms, attack and devour people, and use its flaming eyes to lead boats to their ruin.
- Titles: The Old Man; The Uncle
- Also known as: Maam; Don Pedro; Saint Simon; Brother Simon; Brother Peter
- Pronounced: Mah-shee-mon
- Origin: Maya
Maximón is a master shape shifter, reconciling religious traditions and offering guidance to indigenous Mayans who venerate him in Guatemala. He is also a heavy drinker and smoker.
Maximón, also known as San Simón, is an important Mayan folk saint in Guatemala represented by a dressed up wooden effigy sitting on a chair who, unlike other saints, smokes cigars and drinks alcohol. Today Maximón is actively worshiped as part of what we could refer to as “folk Catholicism“, especially in the highlands of Guatemala.
His visitors travel from near and far to come see him and ask for protection, money, to be cured or even find a husband. Maximón receives everyone – men and women, villagers and urban dwellers, prostitutes and entrepreneurs – who come with many offerings including tobacco, liquor, money and tortillas (his favorites).
Christian missionaries who came to Guatemala to convert the local people encountered the primordial Mayan deity Maam, Lord of the Universe. Attempts to syncretize him to Saint Simon backfired. Instead of the Mayan god fading discreetly into the identity of the saint, Maximón, as he became known, took on a whole new life and personality of his own: defiant, rambunctious, anti-social. The Church then attempted to syncretize him with Judas Iscariot or even Satan, but it was too late. All they did was enhance Maximón’s outlaw image and make his devotees love and admire him even more.
Maximón’s appearance varies greatly by location. While he’s popularly depicted as a man in a suit and hat, this isn’t a constant. In Santiago Atitlán, he wears colorful garlands and scarves, while in Zunil, he wears sunglasses and a bandanna.
Although his wardrobe has been updated and modernized, Maximón is an ancient, primordial spirit. He has survived numerous attempts to suppress his veneration and is now more popular than ever, venerated throughout the Americas and Europe.
He is generally benevolent, associated with healing, prosperity, and protection. In Guatemala, Maximón is traditionally invoked for protection for or from anti-government forces. Nothing is beyond his assistance or outside his jurisdiction. Maximón is said to represent both light and dark, and to be a trickster. He is both a womanizer and a protector of couples. Be wary.
Maximón is a crossroads spirit. He mediates between the living and the dead, people and spirits. He serves as a bridge between malevolent and benevolent spirits. Maximón is an extremely responsive spirit who works for comparatively modest offerings.
He makes people’s dreams come true. He challenges believers. He heals. He helps overcome obstacles. He stands against injustice. He dances the night away. He brings wealth and success. Fertility and prosperity. He wins the heart of women and protects from infidelity. In fact, he is the lord of sexuality standing for all unresolved matters of a moral nature.
Legend says that one day he was caught sleeping with the wives of the village men who had supposedly gone to work. Furious, they cut his legs and arms off. So Maximón also makes mistakes, which makes it easier for people to relate to him. Sometimes when he brings justice to a person, it is even at the expense of another. Thus, he sits at a crossroads between being both a deity and a trickster, a friend and a fiend.
Maximón may indicate his presence via the smell of cigar smoke when no cigars are present. He visits in dreams.
Spells, Rituals and Operations:
Maximón is invoked in numerous magickal spells, rituals, and operations.
- Protection of your business
Place his image in your shop or store to stimulate better business and for luck, money, and protection. Maximón foils and/or punishes shop-lifters and thieves
- Abusive people or situations.
If someone abuses you, whisper your needs directly into the ear of Maximón’s image. Place the person’s photo under Maximón’s left foot, or write a note and place it there.
- Requests for love.
Coil a rope around his image (even around his neck!) to show him that you need his help capturing someone’s heart or alternatively, for hobbling competing suitors. Whisper in his ear to tell him what you need.
- Marital issues.
Wrap a rope around his image to keep your spouse from running off with another.
- Maximón is invoked to heal addictions.
He will accept request on behalf of others, especially addicts. He may be invoked on behalf of someone else who cannot or will not ask him themselves. It is not necessary to tell the person that you have requested Maximón’s blessings on their behalf. The deal is between you and Maximón. Make offerings and tell him what the other person needs. However, even if the other person reaps the blessings, Maximón is doing YOU the favor; YOU must fulfill any vows or promises made.
Colors and Candles
An elaborate color scheme is used to communicate with Maximón. Those who are experienced candle-burners may choose to retain their own candle color associations, but the following color chart is commonly used to communicate desires and petitions to Maximón. Burn the color candle that closest represents your needs:
- Black: Protection from envy, jealousy, enemies, and the deliberately cast Evil Eye
- Blue: For good luck, employment
- Brown: Protection from resentment and the accidentally cast Evil Eye
- Green: Business, prosperity, cash
- Light Blue: Cash, travel, education, and happiness
- Pink: Hope, health
- Red: Love, fidelity
- White: Protection of children
- Yellow: Protection for adults
Hats, silk scarves, flowers (he likes bougainvilleas, carnations, and gladioli), fruit, tobacco products especially cigars, copal incense, water, Coca-Cola, tequila, aguardiente. An elaborate offering when you really need a big favor or as a fulfillment of a vow is forty candles plus copal incense.
The oldest images of Maximón consisted of masks and mysterious wrapped bundles. However a modern votive image has also evolved possibly based on the only known existing photograph of shaman, wizard, and Maximón devotee Francisco Sojuel (died circa 1907), credited with crafting the first modern Maximón mask. This image depicts Maximón as a mustached man wearing a black suit and a Stetson or similar hat. He is usually, but not exclusively, depicted sitting.
The modern image closest to his ancient one consists of a bundle of fabric topped with one or more Stetson hats.
The name Maximón is often interpreted as deriving from Maam and Simon. Another theory suggests that it derives from Maam and ximon, a Mayan word that may refer to a bundle or the act of “tying up,” essentially creating a bundle. The use of bundles as sacred objects is not uncommon in indigenous American spiritual and magickal traditions.
Votive images range from pocket-size to life-size. The mouth of his statue may be open so a real cigar may be inserted.
Alternatively, the statue may be designed so that the cigar can be placed in his hand. Ashes and stubs from offerings are collected and preserved. Placed in a small charm bag they serve as amulets, allegedly bringing good luck. Sometimes tubes are inserted into statues so Maximón can actually “drink.” Liquor passing through his system is then reserved for ritual use.
Maximón often accumulates an extensive wardrobe. He is a fastidious spirit whose clothes must be kept clean. The rinse water used when hand-washing his clothes may be preserved as Holy Water, or magickally charged water. It is said to have magickal and healing powers.
Festivals and Sacred Sites:
Guatemalan festivals dedicated to Maximón coincide with Holy Week, culminating on Good Friday.
One of the aspects of Maximón is that he can appear in any form. During Easter week he takes on the form of Judas Iscariot, who in betraying Jesus became the catalyst who put into action the events ended in the crucifixion of Jesus. Judas (Maximón) then hangs himself.
What has sometimes been described as a lynching in Guatemala, is actually a Easter Week re-enactment of the crucifixion where the hanged man is Maximón in his guise as Judas Iscariot. The Tz’utuhil Maya workers on the fincas [plantations] on the coastal side of the Volcano Atitlán have brought their customs with them from the highlands in Santiago Atitlan.
Maximón is the subject of innumerable home shrines, but his major public shrine is in Lake Atitlan, Guatemala.
In Santiago Atitlán, Maximón’s effigy resides in a different household every year. His image is normally only taken out of this house during Holy Week, whereafter it will change households, but is on display year-round due the popularity of pilgrimages. The effigy of Maximón in Santiago stays with one of five families, who are members of a religious brotherhood looking after the saint. He stays there for an entire year, and is moved during the procession of Holy Week.
Maximón lives in a room within the family home, and he is accompanied by two chosen family members at all times. Yep, you read that right: at all times…for a year. The chosen two won’t work for a year; guarding Maximón and spending time with him is their full-time job for 365 days. They stay by the altar year-round, drinking and smoking alongside it.
But that’s not all. These guys are also there to pass on offerings from visitors to the effigy, which are usually in the form of cigarettes, cigars, money, tobacco, and moonshine. Visitors can then ask for good health, good crops or marriage counsel. The two guardians usually put on one of Maximón’s two cowboy hats and speak to him in a local dialect.
It looked like they were having a casual chat, the guardian resting his arm on Maximón’s shoulder in a brotherly way, stopping his speech every once in a while, as if listening for Maximón’s reply, or simply to tip the ash off his cigarette.
If you want to share a drink with Maximón, you can do that too. He likes the local ‘Quetzalteco’ and his guardians will pour it through Maximón’s mouth. Because he’s hollow, the liquid flows through him and out between his leather boots. It’s then caught in a glass and drunk by the guardians or other family members who happen to be passing through. Like some kind of spiritual keg you can tap. This means the guardians are always drunk, or at least sleeping off a big drink. All the time.
In the town of San Andrés Itzapa, there is a large temple to Maximón. Here, offerings such as corn, flowers, and candles are burned in public by Shamans for the deity. Pilgrims travel to this temple from all across Latin America.
Maximón is more than just a saint. He represents the resilience of Mayan people in the light of their struggles against oppression, a symbol of hope and transformation.
Myths and Legends:
According to some legends, Maximón was an elder who reincarnated to protect his people. During the Spanish Conquest, an elder named Ri Laj Mam, upset by the evils of the Spaniards, encouraged his people to start a rebellion. He was eventually executed, but returned to life in the form of a judge named Don Ximon, who fought to give land back to the native people of Guatemala.
Another legend states that Maximón was hired by traveling fishermen to protect the virtue of their wives. Instead, Maximón disguised himself and slept with all of them.
In Santiago Atitlán, an alternative tale says that Maximón was never a man, but a wooden figure created by Shamans to defend the village from witches. However, Maximón used trickery to harm the people of the village, so the Shamans twisted his head around and broke his legs to stop him. He then did his job properly and protected the people of the town from evil.
Just a few minutes walk from the church of Santo Tomás in the center of Chichicastenango, there is a wooded hill. Atop this hill is an ancient rock with a carved face, known all over Guatemala as Pascual Abaj (Sacrifice Stone). This stone-faced idol, a shrine to the Maya earth god Huyup Tak’ah (Mountain Plain), stands amid a circle of squat stone crosses in a clearing. Said to be hundreds – perhaps thousands – of years old, it has suffered numerous indignities at the hands of outsiders, but local people still revere it.
Daily there are Maya priests and priestesses performing ceremonies there. People come there for all sorts of things: to bless a marriage, to pray for a good harvest or to give thanks for a good harvest, or to remedy a problem such as preventing thieves from stealing your corn. The rites are conducted by the aj’itz (maya priests).
Also known as:
Pascual Abaj (alternatively written Pascual Ab’aj) is a pre-Columbian Maya idol at Chichicastenango that survived the Spanish conquest of Guatemala and which is still venerated by the local community. It is the best-known example of such an image or shrine to the Maya earth god Huyup Tak’ah.
After the Spanish conquest, the stone figure is said to have been carried away from a site in the village of Chichicastenango and reset upon the hill so offerings could be made away from the vigilance of the Catholic Church and the Spanish colonists.
The image was badly damaged in the 1950s by members of Catholic Action. Before it was defaced, the statue was described as a grotesque human figure with a large head and high, pointed forehead. It had two circular earspools in line with its mouth; its arms were crossed on its chest, with the fingers extended. A cord was sculpted around its waist, to which was attached the image of an inverted severed human head. It stood approximately 1 metre (3.3 ft) high. An observer in the 1950s noted that the figure appeared to have been buried sometime in the past.
Traditional Maya shamans regularly perform ceremonies at the shrine, by day and night. The statue is set upon a small altar surrounded by offerings, which include pine branches, crosses, flowers, copal resin, and items crafted from stone. The shrine has now become a popular tourist attraction where visitors witness traditional Maya ceremonies.
In Inca mythology, Apu was the name given to powerful mountain spirits. The Incas also used Apu to refer to the sacred mountains themselves; each mountain had its own spirit, with the spirit going by the name of its mountain domain. An Apu is simultaneously:
- The sacred spirit of a mountain
- The mountain itself
- The spirit who lives atop the mountain.
Paradoxically, the Apu is inseparable from the mountain even though the spirit itself is completely mobile and perfectly capable of traveling far.
Apu literally means “lord.” Female Apus are address as “mama.” Apus were typically male spirits, although some female examples do exist. Female Apus include Mama Simona of Cuzco; Mama Patukusi of Machu Pichu; and Mama Veronica near Cuzco. Her Quechua name is Wakay Willca.
Every mountain peak in the Andes has its own Apu, but the most famous are the twelve associated with Cuzco:
- Apu Ausangate
- Apu Salkanaty
- Mama Simona
- Apu Pikol
- Apu Manuel Pinta
- Apu Wanakauri
- Apu Pachatusan
- Apu Pijchu
- Apu Saqsaywaman
- Apu Wiraqochan
- Apu Pukin
- Apu Senq’a
In the Quechua language—spoken by the Incas and now the second most common language in modern Peru—the plural of Apu is Apukuna.
Apus frequently take the form of mischievous, playful, but helpful children. For instance, Apu Ausangate, considered the most powerful Apu of Cuzco, manifests as a blond, fair-skinned child wearing white clothes and riding a white horse. Don’t let their chosen form fool you ~ they are ancient and powerful spirits.
Small stones resembling animals or plants are sacred gifts from the Apus and may be used to bring whatever the stone resembles into your life. The resemblance may be enhanced by carving. These gifts are not limited to one person. They may be given to others or passed down through generations of a family. They may also be purchased at Andean pilgrimage sites. Modern versions of these amulets include miniature trucks, tools, and even passports.
Ritual and Offerings:
Travel to the Andes and visit the mountains to request their blessings and protection. Offerings include the following:
- Coca leaves
- Libations of water and alcoholic beverages
One of the most basic concepts of life in the high Andes communities is that of Ayni, or reciprocity, which connotes an ever-shifting, dynamic balance in relationship. This give and take informs not only connections that exist among people, but also the bonds between humans and the natural world, and most especially those between the people and the Apu.
The k’intu offering that reinforces this relationship has the Coca leaf as its main ingredient. Spiritual elders of the villages, or Misayoqs, say that the coca leaf is the favorite food of the Apus.
Three perfect coca leaves are infused with the breath of the Misayoq. This places his intention for the well being of the people into the offering. The k’intu is offered as a sacrament, to ensure his benevolent protection towards the people who dwell in his mighty presence.
An interesting account of an experience of talking with the Apu can be found here. It looks like they also offer trips to Peru, in case you are interested.
About The Inca Mountain Spirits
Inca mythology worked within three realms: Hanan Pacha (the upper realm), Kay Pacha (the human realm), and Uku Pacha (the inner world, or underworld). Mountains—rising up from the human world toward Hanan Pacha—offered the Incas a connection with their most powerful gods in the heavens.
The Apu mountain spirits also served as protectors, watching over their surrounding territories and protecting nearby Inca inhabitants as well as their livestock and crops. In times of trouble, the Apus were appeased or called upon through offerings. It’s believed they predated people in the Andes regions and that they are constant guardians of those who inhabit this area.
Small offerings such as chicha (corn beer) and coca leaves were common. In desperate times, the Incas would resort to human sacrifice.
Juanita—the “Inca Ice Maiden” discovered atop Mount Ampato in 1995 (now on display in the Museo Santuarios Andinos in Arequipa)—may well have been a sacrifice offered to the Ampato mountain spirit between 1450 and 1480.
The Apus in Modern Peru
The Apu mountain spirits did not fade away following the demise of the Inca Empire.
In fact, they are very much alive in modern Peruvian folklore. Many present-day Peruvians, especially those born and raised within traditional Andean communities, still hold beliefs that date back to the Incas (albeit these beliefs are often combined with aspects of Christian faiths, most frequently the Catholic faith).
The notion of the Apu spirits remains common in the highlands, where some Peruvians still make offerings to the mountain gods. According to Paul R. Steele in Handbook of Inca Mythology, “Trained diviners can communicate with the Apus by tossing handfuls of coca leaves onto a woven cloth and studying messages encoded in the configurations of leaves.”
Understandably, the highest mountains in Peru are often the most sacred. Smaller peaks, however, are also venerated as Apus. Cuzco, the former Inca capital, has twelve sacred Apus, including the towering 20,945-foot Ausangate, Sacsayhuamán and Salkantay. Machu Picchu—the “Old Peak,” after which the archeological site is named—is also a sacred Apu, as is the neighboring Huayna Picchu.
Alternative Meanings of Apu
Apu can also be used to describe a great lord or another authority figure. The Incas gave the title Apu to each governor of the four suyus (administrative regions) of the Inca Empire.
In Quechua, Apu has a variety of meanings beyond its spiritual significance, including rich, mighty, boss, chief, powerful, and wealthy.
- Encyclopedia of Spirits
- Wayra Peru Travel
- Trip Savvy
Elephant-headed Ganesha may be the most beloved deity of the modern Hindu pantheon; venerated by millions. He is invoked by Buddhists, Jains, and Neo-Pagans, too. He is benevolent and generous to all.
- Titles: Lord of New Beginnings; Lord of Obstacles; He Who Bestows Blessings
- Also known as: Ganapati
- Origin: India
- Color: White, Red, Pink
- Element: Water
- Numbers: 1, 3, 5
- Animals: Mouse, Snake
- Mount: Mouse
Lord of Beginnings, Ganesha’s blessings are sought before initiating any new enterprise. Ganesha is the Lord of Obstacles, removing but also creating them, sometimes from anger but sometimes just to attract further veneration. The flip-side of Ganesha is that he must be propitiated before new ventures lest he place obstacles in your path.
Ganesha bestows success, victory, prosperity, material comfort, romance, love, better six, and supernatural powers and skills to his devotees. He can block all these things, too, although he is unlikely to do so unless insulted and angered.
Ganesha is a generous, sympathetic spirit, quick to bestow favors. He is a trickster, but on behalf of his devotees and those he loves. Ganesha has a fast, volatile temper, but he calms down quickly too, and can be soothed and appeased. Just remember the old saying: “An elephant never forgets!”
- Ganesha is the first deity worshiped during Hindu rituals.
- His is the first image at the head of all processions.
- He is an indispensable component of all Hindu ceremonies except funeral rites.
In The Beginning
Historical evidence indicates that Ganesha was known as early as 1200 BCE, however surviving depictions are rare before the fourth century CE. He was incorporated into the Hindu pantheon comparatively late, in approximately the 5th century.
Ganesha is believed to have begun his incarnation as a pre-Aryan elephant spirit venerated by jungle tribes. In addition to this other gifts, he was invoked for protection from elephant herds.
He was absorbed into the Hindu pantheon as the son of Shiva and Parvati. Various myths explain why Ganesha has an elephant head. In one, Parvati creates her son from the scrapings of her own skin. Ganesha was born while Shiva was away long-term practicing austerities.
Ganesha is extremely close to his mother. When she asked him to guard her privacy in the bath, he took up his position at the door. This was the moment Shiva returned. Father and son didn’t know each other. Shiva wished to see Parviti; Ganesha refused to let him pass. Shiva beheaded him. Parvati came to see the source of the commotion and was distraught. Now comprehending the situation, Shiva revived Ganesha but was forced to find a new head. The first to be had was an elephant’s.
Ganesha is lord of entrances, thresholds, and crossroads. Let him guard your door. It’s traditional to place his image above main entrance thresholds so that he is always encountered when entering.
Ganesha is happy to be venerated alongside other deities; however, never forget that he is the Lord of Beginnings. If you feed him, feed him first before any other spirits. There may be conflict if you venerate him alongside other spirits who also expect to be first served, for instance, Elegba.
- Ganesha heals physical, spiritual, and emotional ills.
- Ganesha has the power to liberate from the karma of past lives.
- He is invoked for children by the childless.
Petition him at a home altar or in a temple. Ganesha is the subject of a fertility ritual conducted at his temple in Madurai, India; allegedly if you bathe his image and circumambulate around it for forty-eight consecutive mornings, he will grant your wish for children.
Ganesha is a popular tantric deity, too. His trunk and single tusk are phallic symbols. Early Hindu texts suggest disapproval of Ganesha who was then associated with “orgiastic rituals.” He remains associated with Tantra among Buddhists. Ganesha communicates with devotees in dreams.
More information can be found at Loving Ganesha. Here are links to some of the individual posts:
- Ganesha Road Opener Ritual
- Ganesha Road Opener Oil Blend
- Making A Shrine To Ganesha
- The Ganesh Mantra
- The Ganesha Oracle
Ganesha will allegedly favor anyone who approaches him with a pure heart. He is the special patron of musicians who play the tabla and/or mridangam (percussion instruments), as well as authors, poets, and writers. In Thailand, Ganesha is considered patron of elephant trainers.
Ganesha has an elephant’s head on a man’s pot-bellied body. He has one broken tusk. His skin usually has a rosy hue. His big ears signify his capacity to listen and hear. His forehead is marked with vermilion, indicating his tendency to involve himself in issues associated with women and his generosity toward female devotees.
There are countless images of Ganesha sitting, standing, dancing, or riding his mouse. Once you know what he looks like, he’s very recognizable.
Ganesha’s home is a celestial realm called the Abode of Bliss (Svaanda Dhama). He lives in a marvelous palace surrounded by a forest of wish-fulfilling trees and an ocean of sugarcane juice.
Ganesha is easy to please, but he cannot be fooled. He will accept the most modest offerings but only if given with sincere intent and devotion. His favorite offering is said to be modaka, a type of sweet rice or wheat cake. Here’s a recipe: Recipe For Modaka. Allegedly the more modaka you give him, the more inclined his is to work on your behalf. Ganesha also accepts peanuts; fruits, especially bananas; sweets, candy, and sugarcane.
Source: The Encyclopedia of Spirits
Ra (pronounced as Rah, and sometimes as Ray) is an ancient Egyptian sun god. By the fifth dynasty he became a major deity in ancient Egyptian religion, identified primarily with the mid-day sun, with other deities representing other positions of the sun. Ra changed greatly over time and in one form or another, much later he was said to represent the sun at all times of the day.
Also known as:
Ra should be pronounced as ‘rei’; hence the alternative spelling Re rather than Ra. The meaning of Ra’s name is uncertain, but it is thought if not a word for ‘sun’ it may be a variant of or linked to ‘creative’. As his cult arose in the Egyptian pantheon, Ra often replaced Atum as the father, grandfather, and great-grandfather of the deities of the Ennead, and became a creator of the world.
Ra was an incredibly powerful and important central god of the Egyptian pantheon. His believers considered him to be the god who created everything. He was worshiped more than any other god by the ancient Egyptians.
Ra represents sunlight, warmth and growth. It was only natural that the ancient Egyptians would believe him to be the creator of the world, as well as part of him being represented in every other god. The ancient Egyptians believed that every god should illustrate some aspect of him, while Ra himself should also represent every god.
Ra created himself from the primordial chaos. He is also known as Re and Atum. His children are Shu, the God of Dry Air and Father of the Sky, and his twin sister Tefnut, the Goddess of Moisture and Wetness. Humans were created from Ra’s tears.
He is the source of all light and life, destroyer of darkness, night, wickedness, evil. Creator of Heaven, Earth, and the Underworld. Eternal god without end. God of all agriculture, the Sun, magick, prosperity, spells, rituals, destiny, right, and truth.
Sun Ra Invocation:
As the sun pierces your consciousness and you struggle through those dog days of summer, it becomes easy to understand the ancient Egyptian respect for the Sun God. Pay tribute to Ra for his blessings in the way he likes best. In ancient Egypt, myrrh was burned at high noon to please him.
Put a few small chunks of myrrh on a white charcoal block placed on a fireproof surface outdoors. Use your hands to gently brush the smoke upward toward the heavens as you chant:
In honor and praise I send this smoke toward you
Thanks for the blessings and the sunny days, too
Sun Ra, great god, emblem of the sun
I honor and praise you for all that you’ve done.
Titles and Epithets:
- The Creator
- The Supreme Power
- The Only One
- Great Father
- Father of the Gods
- Sun God.
- Lord of the Circles
The ancient Egyptians revered Ra as the god who created everything. Also known as the Sun God, Ra was a powerful deity and a central god of the Egyptian pantheon. The ancient Egyptians worshiped Ra more than any other god and pharaohs often connected themselves with Ra in their efforts to be seen as the earthly embodiment of the Sun God.
Ra is the head of the Great Ennead (the nine deities of Atum, Geb, Isis, Nut, Osiris, Nephthys, Seth, Shu, and Tefnut), supreme judge; often linked with other gods aspiring to universality, and king of the gods until Osiris took over his throne. Ra was often lauded as “Lord of the Circles” and as “he who entereth (or liveth) in the circle.” He was described as “the sender forth of light into his circle” and as the “Governor of (his) circle.”
For the Egyptians, the sun represented light, warmth, and growth. This made sun deities very important to Egyptians, and it is no coincidence that the sun came to be the ruler of all. In his myths, the sun was either seen as the body or Eye of Ra.
In artwork Ra primarily is depicted as a man wearing a pharaoh’s crown (a sign of his leadership of the deities) and the sun disk, or Wadjet sun disk above his head.
- The Sun Disk
The sun disk that surrounded his head symbolizes what the god represents, including sunlight, warmth and growth. As he was the god of creation, the sun disk represents the light and energy needed for life.
The Wadjet sun disk, is a sun disk with a cobra wrapped around it. Called the Wadjet sun disk because the goddess Wadjet, was depicted as an Egyptian cobra, an animal thought only to be female and reproducing through parthenogenesis. It is also shown as the hieroglyphic Ankh, symbolizing the life given by the sun.
Some traditions relate that the first Wadjet was created by the goddess Isis who formed it from the dust of the earth and the spittle of Atum. The uraeus was the instrument with which Isis gained the throne of Egypt for her husband Osiris. As the sun, Ra was thought to see everything.
- Eye of Ra
Present in the ancient Egyptian mythology is the Eye of Ra, shown as the sun disk with two ‘uraeus’ cobras coiled around it, next to the white and red crowns of Upper and Lower Egypt. Initially associated with Horus (similarly to the Wadjet, the Eye of Horus), the Eye of Ra shifted positions in the myths, becoming both an extension of Ra’s power and a separate entity altogether.
- The Falcon
He was associated with the falcon, the symbol of other sun deities who protected the pharaohs in later myths.
Ra shared many of his symbols with other solar deities, in particular Horus, usually depicted as a falcon. After the deities were paired with pharaohs, the children of Hathor were considered to be fathered by Ra.
- The Tree of Life
The Tree of Life is an important religious symbol to the Egyptians. The Tree of Life was located within Ra’s sun temple in Heliopolis and was considered sacred. The fruit that sprang from this tree was not available to humans, but only in aging-rituals reserved for pharaohs. The Tree of Life is also referred to as the mythical, sacred Ished tree. Eternal life came to those who ate the fruit from the Tree of Life.
- Bennu Bird or Phoenix
Another important ancient Egyptian symbol connected to Ra is the “Bennu.” The Bennu bird is Ra’s ba and a symbol of fire and rebirth. Bennu is the name of the bird that represented Ra’s soul.
This bird is a phoenix and it was seated at the Tree of Life in Ra’s Sun Temple in Heliopolis. Inside the temple, on top of an obelisk, sat the Benben Stone. This pyramid-shaped stone served as a beacon to Bennu and is also an important ancient Egyptian religious symbol. Sometimes, Ra is depicted as a phoenix, showing the connection between the two.
- Primordial Serpent and Sun Boat
Ra was thought to travel in a sun boat to protect its fires from the primordial waters of the underworld it passed through during the night.
The ancient Egyptians believed that as the sun god, Ra’s role was to sail across the heavens during the day in his boat called the “Barque of Millions of Years.” In the morning when Ra emerged from the east, his boat was named, “Madjet” which meant “becoming strong.” By the end of the day the boat was called, “Semektet” which meant “becoming weak.” At the end of the day, it was believed that Ra died (swallowed by Nut) and sailed on to the underworld, leaving the moon in his place to light up the world.
The ancient texts describe how Ra would go down with the setting sun into the underworld and then rise again the next day on the opposite side. This also symbolizes the same journey that the deceased would take right after burial.
The journey was divided into 12 hours, with each hour representing an obstacle that Ra had to complete in order to move onto the next. Each area has gods and monsters that Ra meets along the way.
Throughout his journeys and adventures, the serpent-god Apep is his greatest enemy. Apep would hide below the horizon waiting to attack Ra, and they would fight many battles. Many gods and goddesses were involved in defending Ra, including the god Seth.
Ra was reborn at dawn the very next day. Ra traveled in the sun boat with various other deities including Set and Mehen who defended against the monsters of the underworld, and Ma’at who guided the boat’s course. The monsters included Apep, an enormous serpent, or also, The Lord of Chaos, who tried to stop the sun boat’s journey every night by consuming it. In some stories, Ra, in the form of a cat named Mau, defeats the evil serpent, Apep. This is part of the reason why cats are so highly-revered in Egypt.
The Ra myth saw the sunrise as the rebirth of the sun by the goddess Nut and the sky, thus attributing the concept of rebirth and renewal to Ra and strengthening his role as a creator god.
In the Pyramid Text, Re is perpetually resurrected in the mornings in the form of a scarab beetle, Khepri, which means the Emerging One. He rides on the primordial waters, called Nun, in his sacred bark (boat) along with a number of other deities across the sky. At noon he is the falcon-headed man Harakhty, and at sunset the elder Atum, the “All Lord.” He is then swallowed by the goddess Nut, who gives birth to him each morning again as Khepri.
Therefore, the cycle continued with birth, life and death. This constant aging was suggested by some later Egyptians as the reason Ra stayed separate from the world and let Osiris or Horus rule in his place.
Often coupled with this idea is the myth in which Isis is able to trick an elderly Ra, having ruled on earth as a human pharaoh, into revealing his secret name, and thus the secret of his power. Ra subsequently lost his power, resulting in the cult of Isis and Osiris to rise in importance.
- Other Symbols
The Obelisk represents the rays of the sun and was worshiped as a home of a solar god. Other symbols include Pyramids aligned east to west, the Bull, Serpent, Heron, Lion, Cat, Ram, Hawk, Beetle, and others. His main symbol, however, is the sun disk.
Ra is usually shown in his human form with a falcon head crowned with a sun disc. The famous sun disc was surrounded by a sacred cobra named Uraeus. In some artistic representations of the god, he is shown as “a man with the head of a beetle” or sometimes as “a man with the head of a ram”.
Sometimes Ra is shown in animal form; most commonly, Ra is shown as a hawk, but sometimes also a beetle, lion, ram, or snake, as all of these were considered powerful animals in ancient Egypt. In iconography, Egyptians sometimes painted Ra as simply a large solar disk between two large falcon wings. Ra was incorporated into many aspects of Egyptian art, and he can be seen in paintings, sculptures, statues, and even jewelry.
As with most widely worshiped Egyptian deities, Ra’s identity was often confused with others as different regional religions were merged in an attempt to unite the country.
- Amun Re
Amun was a member of the Ogdoad, representing creation energies with Amaunet, a very early patron of Thebes. He was believed to create via breath, and thus was identified with the wind rather than the sun. As the cults of Amun and Ra became increasingly popular in Upper and Lower Egypt respectively they were combined to create Amun-Ra, a solar creator god. The name Amun-Ra is reconstructed).
It is hard to distinguish exactly when this combination happened, but references to Amun-Ra appeared in pyramid texts as early as the fifth dynasty. The most common belief is that Amun-Ra was invented as a new state deity by the (Theban) rulers of the New Kingdom to unite worshipers of Amun with the older cult of Ra around the eighteenth dynasty.
Atum-Ra (or Ra-Atum) was another composite deity formed from two completely separate deities, however Ra shared more similarities with Atum than with Amun. Atum was more closely linked with the sun, and was also a creator god of the Ennead. Both Ra and Atum were regarded as the father of the deities and pharaohs, and were widely worshiped. In older myths, Atum was the creator of Tefnut and Shu, and he was born from ocean Nun.
In later Egyptian mythology, Ra-Horakhty was more of a title or manifestation than a composite deity. It translates as “Ra (who is) Horus of the Horizons”. It was intended to link Horakhty (as a sunrise-oriented aspect of Horus) to Ra. It has been suggested that Ra-Horakhty simply refers to the sun’s journey from horizon to horizon as Ra, or that it means to show Ra as a symbolic deity of hope and rebirth.
- Khepri and Khnum
Khepri was a scarab beetle who rolled up the sun in the mornings, and was sometimes seen as the morning manifestation of Ra. Similarly, the ram-headed god Khnum was also seen as the evening manifestation of Ra. The idea of different deities (or different aspects of Ra) ruling over different times of the day was fairly common, but variable.
With Khepri and Khnum taking precedence over sunrise and sunset, Ra often was the representation of midday when the sun reached its peak at noon. Sometimes different aspects of Horus were used instead of Ra’s aspects. In Thelema’s Liber Resh vel Helios, Ra represents the rising sun, with Hathor as the midday sun and Tum as the setting sun.
Ra rarely was combined with Ptah; the sun “crosses” over Ptah in the underworld before Ptah is reborn, thus there would be no sun-ray when this happens. Other combinations can and do exist: The rising sun with sun ray, the noon sun with sun ray, and sitting sun with sunray. But as per the Memphite creation myth he was often said to be Ptah’s first creation, through his divine will, especially when associated with Atum or Amun.
The Legend of Ra Isis and The Snake
Although Ra was highly revered and devoutly worshiped by the ancient Egyptians, there is a story to suggest he eventually grew weak. In the Legend of Ra, Isis and the Snake, the goddess Isis knew that Ra had a secret name. This secret name possessed immense power and would allow her to perform magic spells whenever she desired to.
She knew that Ra wouldn’t willingly tell her the name so she quickly got to work. Ra had begun to age and sometimes saliva dribbled from his mouth. Isis visited with him one day. She collected the spit that dribbled down his chin and mixed it with dirt and clay. She shaped her mixture into a poisonous snake.
She set the snake in Ra’s path, and when Ra was out for a walk, the snake bit him and he immediately felt the poison rushing through his body. He was in tremendous pain and asked the other gods to help him. Isis promised to help Ra but only if he would tell her his secret name. He was resistant at first, but eventually, because of the pain he was in, Ra allowed Isis to “search through him” and in so doing, she healed him and Ra’s power was transferred over to her.
The Birth of Humans
One myth tells us that Ra first came to power during the golden age. Everything was perfect and just as it should be. The earth had not been tainted in any way. The sight of such perfection moved Ra to tears and they fell to the earth. The tears grew into humans.
At first, Ra was infatuated with watching humans interact and grow. But then he became angered with them as they ended the golden age that he had loved so much. They were cruel to each other and were ruining the earth.
He summoned the goddess Hathor and transformed her into a savage lioness. He then sent her to earth to kill every human. Hathor attacked every human she came across, killing most. But before she could eliminate all humans, Ra had a change of heart. He decided he needed to stop Hathor and did so by giving her enough beer to intoxicate her. She forgot her mission but the damage she had caused was permanent. Humans had been introduced to death and now all faced their immortality.
Quick Facts About Ra
- The ancient Egyptians worshiped Ra to such an extent above other gods that some historians have argued that ancient Egyptian religion was indeed a monotheistic one with Ra as the singular god.
- Historians believe that the pyramids might represent rays of sunlight, further connecting the pharaohs with Ra, the sun god.
- During Ra’s journey through the heavens he was accompanied by several other gods including Thoth, Horus, Hathor, Maat, Abtu, and Anet.
- Nut, goddess of the sky and heavens, is sometimes referred to as Ra’s mother, because he emerges from her and is reborn every morning.
- The morning manifestation of Ra is known as “Khepri the scarab God.”
- The evening manifestation of Ra is known as the ram-headed god, Khnum.
- The sacred cobra that encircled Ra’s crown symbolized royalty, sovereignty and divine authority.
- The right eye of Ra represented the Sun; while the left eye of Ra represented the moon.
- Ra is also closely associated with the Tree of Life myth, the Ben-Ben Stone and the Bennu Bird myths.
- Ra’s glory came to an end during the time when the Roman’s conquered Egypt in 30BC.
The Creation of Ra
Ra did not have parents. He is considered to be self-created and there are many myths that suggest how this came to be. It is said that before there was any land or recognizable landscapes, there was a body of water called Nun. The water was powerful and a shining egg arose from the darkness. Inside this egg was Ra. Sun rays landed on his body and gave him the power of sunlight. He then created all other elements of life by speaking their secret names. He spent his days traveling across the sky on a boat, where he carried prayers and blessings for the living.
At night, he would travel to the Underworld where Set and Mehen would help him defeat demons and monsters. He would leave the moon in the sky while traveling to the Underworld so that the living would still have light. It is said that he was reborn each day as the sun would rise over the horizon.
The Family of Ra
Ra had several siblings, including Apep, Thoth, Sobek and Serket.
Early in his myths Ra was said to be married to Hathor and they were the parents of Horus. Later his myths changed Hathor into Ra’s daughter. This featured prominently in the myth often called The Story of Sekhmet, in which Ra sent Hathor down to punish humanity as Sekhmet.
The Middle Kingdom saw Ra being increasingly combined and affiliated with other deities, especially Amun and Osiris.
Together with Atum, Ra was believed to have fathered Shu and Tefnut who in turn bore Geb and Nut. These in turn were the parents of Osiris, Isis, Set (also known as Seth), and Nephthys. All nine made up the Heliopolitan Ennead.
Worship of the Sun God
The New Kingdom brought new heights of worship to Ra. Many tombs in the Valley of the Kings portray depictions of Ra and his journey through the underworld. During this time, many solar temples were built.
Solar temples were built for Ra but did not contain a statue of the god. Instead, they were created to be open to the sunlight that Ra represented. The earliest known temple built in honor of Ra exists in Heliopolis meaning “City of the Sun” (now a Cairo suburb). This solar temple is known as “Benu-Phoenix” and is believed to have been erected in the exact spot where Ra emerged into creation.
In later Egyptian dynastic times, Ra was merged with the god Horus, as Re-Horakhty (and many variant spellings). When his worship reached this position of importance in the Egyptian pantheon, he was believed to command the sky, the earth, and the underworld.
His local cult began to grow from roughly the second dynasty, establishing Ra as a sun deity. By the fourth dynasty the pharaohs were seen to be Ra’s manifestations on earth. Fifth Dynasty and subsequent pharaohs were all known as “The son of Ra” and Ra became incorporated into every pharaoh’s name from then onward. His worship increased massively in the fifth dynasty, when he became a state deity and pharaohs had specially aligned pyramids, obelisks, and solar temples built in his honor.
During the Middle Kingdom, the new deity, Amun-Ra was formed. Amun was one of the gods who formed the Ogdoad (the assembly of eight gods who represented eight elements of creation).
It appears almost certain, that the Great Ennead – the nine deities of Atum, Geb, Isis, Nut, Osiris, Nephthys, Seth, Shu, and Tefnut – first appeared during the decline of Ra’s cult in the sixth dynasty, and that after introduction of the new pesedjet the cult of Ra soon saw a great resurgence until the worship of Horus gained prominence.
As the king and leader of Egypt, the pharaoh was seen as the human manifestation of Horus, so the two gods became connected. This new deity fusion was then referred to as “Ra-Horakhty” meaning Ra is Horus of the Horizon. Ra’s relationship with other gods did not stop there. As the powerful creator of mankind and the sun god, he also became associated with Atum to make “Atum-Ra.”
Afterward worship focused on the syncretistic solar deity Ra-harakhty (Ra, who is Horus of the Two Horizons). During the Amarna Period of the eighteenth dynasty, Akhenaten introduced worship of another solar deity Aten. The deified solar disc represented his preferred regional deity as he attempted to lessen the influence of the temple of Atum. He built the Wetjes Aten (Elevating the Sun-disca) temple in Annu. Blocks from this temple later were used to build walls to the medieval city of Cairo and are included in some of the city gates. The cult of the Mnevis bull, an embodiment of Ra, had its centre here and established a formal burial ground for the sacrificed bulls north of the city.
In the later myths Ra was seen to have created Sekhmet, the early lioness war goddess who becomes Hathor, the cow goddess after she has sufficiently punished mankind as an avenging Eye of Ra.
This changes the themes of much earlier myths into aspects of his and he is often said to be the father of both, and brother, to the god Osiris. Afterward nearly all forms of life supposedly were created only by Ra, who called each of them into existence by speaking their secret names and eventually humans were created from Ra’s tears and sweat, hence the Egyptians call themselves the “Cattle of Ra.”
Although not the contemporary view, E. A. Wallis Budge (1857-1934) claims that Ra was the one god of Egyptian monotheism, of which all other deities were aspects, manifestations, phases, or forms.
During the New Kingdom, the worship of Ra became more complicated and grand. The walls of tombs were dedicated to extremely detailed texts that told of Ra’s journey through the underworld. Ra was said to carry the prayers and blessings of the living with the souls of the dead on the sun boat.
The idea that Ra aged with the sun became more popular with the rise of The New Kingdom. Eventually, during the reign of Akhenaten (mid 1350s-1330s), the worship reached the level of “uncompromising monotheism”
Many acts of worship included hymns, prayers, and spells to help Ra and the sun boat overcome Apep. Though worship of Ra was widespread, his cult center was in Heliopolis in Lower Egypt. Oddly enough, this was the home of the Ennead that was believed to be headed by Atum, with whom he was merged. The Holiday of ‘The Receiving of Ra’ was celebrated on May 26 in the Gregorian calendar.
Though Ra lived on in various forms into the Greco-Roman period, his worship gradually deteriorated during the fist millennium. This decline was probably due to the weakening of the kingship under various foreign rulers. Though he continued to be a part of Egyptian theology, he was no longer a part of the peoples living faith. Devotion to Ra became more and more limited to priests of the temple.
The rise of Christianity in the Roman empire caused an end to worship of Ra by the citizens of Egypt, and as Ra’s the popularity suddenly died out, the study of Ra became purely for academic knowledge even among the Egyptian priests.
- Title: The Good Spirit
- Other Names: Agathodemon, Agatho Daimon
- Origin: Egypt
- Preferred offering: Wine
- Manifestations: Consistently serpentine, he may appear as an ordinary snake or a hovering winged serpent.
Agathodaemon is a benevolent spirit of healing, protection, luck, and good fortune who manifests as a snake. Veneration of Agathodaemon traveled from Egypt to Greece and Italy. He is a consistently benevolent spirit. In Egypt, he evolved into a Gnostic guardian angel.
Agathodaemon is a companionable spirit. Among the deities with whom he happily shares altar space are Serapis, Tyche, and Hermes. He may be fond of Sicily’s Saint Agatha who may or may not be an ancient serpent-goddess in disguise.
Agathodaemon survives in modern Egypt, too, albeit undercover. Each of Cairo’s four quarters allegedly possesses its own snake-shaped guardian spirit, its own Agathodaemon.
The Greek version of this deity, is known by Agathos, or Agatho Daemon. Information on this version of the Serpent Spirit can be found here: Agathos.
Source: Encyclopedia of Spirits
- Also known as: Agatho Daemon
The Romans and Hellenistic Greeks did not like deities in the shapes of animals. They liked their spirits to resemble humans. Adopted Egyptian spirits thus adapted in form.
Agathos may be Agatho Daemon in human form; he may be an emanation of Agatho Daemon who developed into an independent spiritual entity; or he may always have been a distinct spirit.
Agathos is Lord of Vineyards and watches over fields of grain, peace, prosperity, and plenty. He bestows wisdom, good health, and good luck. Agathos was venerated at home, traditionally by a family together.
The worship of the Agatho Daimon was and is mostly a private practice. Greek families poured out a few drops of wine to him after every meal. Small offerings were sometimes left out to the daimon, which appeared as a snake around the household.
To honor the spirit, pour out libations to him, speak to him on a regular basis, asking for protection for yourself and your home. You might also make a sculpture of a snake to serve as a visual reminder of your daimon.
He shows his favor via a family’s good fortune (or lack thereof). Agathos guarantees that a family has sufficient food and drink.
- Favored people: Barkeeps, those who own vineyards or grow artisanal grain.
- Manifestations: Agathos manifests as a snake or a handsome young man.
- Attributes: Goblet, ear of wheat, poppies, cornucopia, staff or wand entwined by a snake.
- Offerings: Toast Agathos with a glass of wine at each meal; if you’re not drinking, then just set one aside for him.
The second day of every Athenian month was also a sacred day, devoted to the Agathos Daimon (good spirit). The name “daimon” does not mean the evil demon of modern Christianity, (although it did have a negative form, called the kakodaimon), but was thought to be an aspect of Zeus, as Zeus Ktesios, Charitodotes, and Epikarpios, titles as giver of increase and joy.
Agathos Daimon is most often represented in the form of a snake, a symbol of healing. However the daimon is also a function of one’s being, a characteristic inherently neither good nor bad. Hence, one prays for a good daimon, an eudaimon, and goodness from the gods for the coming month and also for the favor of father Zeus as Agathos Daimon.
Pindar, Socrates, Proclus and Plotinus mention their daemons as well. The spirit acts as a guardian against error and a guide in life.
Burkert (Greek Religion, p. 181) says that “One must be on good terms with it.” And Pindar sang that “The daimon active about me I will always consciously put to rights with me by cultivating him according to my means” (Pyth. 3.108f) and “The great mind of Zeus steers the daimon of the men whom he loves” (Pyth. 5.122f). The philosopher Sokratēs talks of his own daimon as a small voice which speaks to him and warns him to refrain from certain actions (Plato, Apology, 31d).
The myth of the Agatho Daemon can neither be proved nor disproved. “Agatho” stems from the Greek “to agathon,” meaning the highest or supreme good in a moral sense, summum bonum. Since the daemon brought both spiritual and material wealth to a household or person, the Agatho Daemon amounts to the “good spirit.”
Each person was assigned a daemon at birth, and the “good spirit” of the daemon protected and guided him through life. Sacrifices of milk and honey were made to the daemon on one’s birthday. Otherwise a cup of consecrated or spiritually pure wine was passed around at dinner, called the cup of the Agatho Daemon. As we shall see, these rituals were meant as an affirmation of life (and thus as an acknowledgement of death).
The Agatho Daemon was the “good” half of a good and evil duality. This duality was portrayed in frescoes as a serpent with the head of a lion with 7 or 12 solar rays emanating from it. The serpent portion was called the kakodaemon, representing the underworld and water, and the lion’s head was the Agatho Daemon, representing the solar fires.
The cosmic interpretation of the daemon as solar provider was tied to the household’s prosperity in the form of the genius. The lion-headed serpent was frequently pictured along with the household genius, the latter shown as a youth holding a horn of plenty and a bowl, or a poppy and ears of corn, representing the growth and abundance of harvest. The harvest imagery along with the serpent as rain and sun were all symbolic of a successful harvest.
Information about the Egyptian version of this deity, known as Agathodaemon, can be found here: Agathodaemon.
Information collected from various sources
- Also known as: Lases (Etruscan); Lassi
- Manifestation: Lares usually come in pairs, either in human form or as snakes.
- Sacred animal: Dog; Snake
- Origin: Italy
- Feast: Dec 23, The Larentalia
Lares are guardian spirits. Lares is plural but that’s fitting because they virtually always manifest in pairs. The singular is Lar. They are found inside the home, on the property they protect and also at crossroads. They make their home with the family they protect, usually dwelling by the hearth or beside the chimney.
The Lares themselves are usually depicted as dancing youths, with a horn cup in one hand and a bowl in the other. As progenitors of the family, they were accompanied by symbolic phallic serpents.
There were many different types of guardians. The most important are the Lares Familiares (guardians of the family), Lares Domestici (guardians of the house), Lares Patrii (guardians of the fathers) and Lares Privati (personal guardians). Other guardians were the Lares Permarini (guardians of the sea), Lares Rurales (guardians of the land), Lares Compitales (guardians of crossroads), Lares Viales (guardians of travelers) and Lares Praestitis (guardians of the state).
The Lar Familiaris protected all household members, free or slave, and was associated with a particular place, thus did not accompany a family who moved. Tradition holds that a family’s Lar would generously help those who honored him by devotionals and sacrifices. But the Lar would turn his back to those who would not offer him thanks or neglected him.
Presumed to be sons of Mercury and Lara, Lares are beneficent and friendly spirits, and deeply venerated by ancient Romans. In every house there was at least one little statue, and through these small statues, the Lare was presumed to take part in all that happened inside the house. Often a statue was put on the table during the meals, and other small statues were often placed in the higher places of the house, far from the floor, or even on the roof.
The Lares were worshiped in small sanctuaries or shrines, called Lararium, which could be found in every Roman house. They were placed in the atrium (the main room) or in the peristylium (a small open court) of the house. Here people sacrificed food to the Lares on holidays.
Care and attendance to domestic Lares could include offerings of spelt wheat and grain-garlands, honey cakes and honeycombs, grapes and first fruits, wine and incense. They could be served at any time and not always by intention: as well as the formal offerings that seem to have been their due, any food that fell to the floor during house banquets was theirs. On important occasions, wealthier households may have offered their own Lares a pig.
A household’s lararium, a shrine to the Lares Familiaris, usually stood near the hearth or in a corner of the atrium. A lararium often had the appearance of a cupboard or a niche containing a small statue, a niche painted on a wall, or a small freestanding shrine. Sometimes the Genius of the head of the household, pictured as a bearded or crested snake, or as a man with the fold of his toga covering his head, is depicted with the Lar.
Iconography: Lares are usually depicted as two young men with a watch dog; if depicted in serpentine form, then they may be crowned.
The Lares Compitales, the guardian spirits who protected local neighborhoods were housed in the crossroad shrines which served as a focus for the religious, social and political life of their local, overwhelmingly plebeian communities. Shrines were erected at crossroads. These shrines were usually open in all directions so that the Lares could travel as needed.
More about the Lares Compitales and their festival and feast days can be found here:
- Title: Lord of Beginnings
- Also known as: Giano, Dianus
- Origin: Roman
- Feast Day: January 9th, The Agonalia
- Tree: Oak
- Number: 1
- Time: Month of January
Janus is the two-faced spirit, but in the most positive sense of that term. Janus literally has two faces, indicating his power to see from all directions and perspectives. He sees the past and future simultaneously. Janus is a guardian and protector.
Janus is among the most ancient and significant deities of the Roman pantheon. He was in the Roman region long before the Romans arrived. Before the arrival of Jupiter, he may have been the preeminent male spirit. Officially superseded by Jupiter within the context of the Roman pantheon, Janus retained his right to be first.
Similar to modern traditions involving Eshu Elegbara, Janus is the first spirit invoked before any invocations, sacrifices, or offerings made to other Roman Deities. Jupiter then follows as “king,” followed by whomever else might be invoked.
The Roman Temple of Janus had double doors, known as the Gates of War. The temple was a visible symbol of peace or war. When there was peace throughout Rome, the doors of his temple were shut. This was a rare occurence.
In 153 BCE, the Romans changed their calendar, moving the New Year from the spring equinox to January 1st, one of the feast days of Janus, Spirit of Beginnings. With one face, Janus looks back on the old year; with the other he looks forward to the new. Roman New Year’s rituals incorporating the feast of Janus lasted for six days of joyous, raucous celebrating. Festivities included drinking, feasting, and decorating homes and buildings with holly, mistletoe, and lights.
- Invoke Janus when you wish to begin anew, when you need to make a fresh start.
- Invoke him before beginning new projects, ventures, and relationships.
- Invoke him to understand the past.
Favored People: Diviners; he seems to like pretty women, too.
Iconography: Janus has two faces: one looking forward, the other back. Sometimes one face is young; the other old.
Consort: His original consort seems to have been Jana (Diana), but he was eventually paired with Juturna.
Sacred site: The Janiculum Hill in Western Rome, center of his veneration.
Offerings: His traditional Roman offering was whole grain farro wheat mixed with salt, also Ianual, a type of focaccia (flat, oven-baked Italian bread) made with flour, eggs, oil, and cheese served during rituals thanking Janus for providing a bountiful harvest.
Source: Encyclopedia of Spirits