April 16 is the feast day of Saint Bernadette, although in France it is sometimes celebrated on February 18. Saint Bernadette is best known for her visions of the Virgin Mary in 1858 in Lourdes, France and for the healings that have taken place at the location of the visions. St. Bernadette is the patron saint of:

• Physical illness
• Lourdes, France
• Shepherds and shepherdesses
• Poverty
• Those insulted for their faith
• Family

The young shepherdess who saw Our Lady in Lourdes, St. Bernadette, found solace in her suffering by turning her eyes to Our Lord. Suffering today? Pray this prayer from St. Bernadette

“O Jesus, Jesus,” she prayed, “I no longer feel my cross when I think of yours.”
If you’re suffering today, pray this excerpt of one of her prayers:
Let the crucifix be not only in my eyes and on my breast, but in my heart.
O Jesus! Release all my affections and draw them upwards.
Let my crucified heart sink forever into Thine and bury itself in the mysterious wound made by the entry of the lance.”

Saint Bernadette and The Goddess

If you think the visions of Saint Bernadette have no connection to magick and the Goddess think again – here is an alternative version to the traditional story:

On the cold morning of February 11, 1858, there was no wood in the Soubirous home, and no fire to warm them. Bernadette set out with her younger sister Toinette, and a neighbor girl, Jean Abadie, to scrounge in the forest for kindling. Maybe they would get lucky and find a rag or a bone to sell.

Heading out of town, the girls neared the foot of Massabieille, a massive, cliff-top rock formation, within view of the ancient hilltop fortress that served as the traditional landmark of the town. To reach the woods, they had to ford the river Gave at the bottom of the cliff. Bernadette’s mother had warned her not to get her feet wet, for that would surely bring on the asthma, so while the other two girls scampered across the river, Bernadette reluctantly hung back.

According to her own accounts, as she lingered near the banks of the Gave, the girls calling after her as they hurried into the woods, she heard a sound like rushing wind. The sound seemed to be coming from a dark grotto in the rock wall under Massabielle. The noon Angelus bells were ringing from the town. As Bernadette turned to investigate the source of the wind, she saw what looked like a glowing young girl, tiny, white, and smiling brightly. She appeared to be standing above the eglantine, or wild rose, that draped the niche over the entrance to the grotto.

Bernadette rubbed her eyes and looked again. This time, the tiny demoiselle nodded, as if to greet her, and opened her arms, smiling all the while. Bernadette’s initial reaction was fear, but she couldn’t run away. She said she felt like she couldn’t move, but she did manage to instinctively put her hand in her pocket and draw out her rosary for protection. She tried to make the sign of the cross, but found that she couldn’t.

In response, the shining little maiden also produced a rosary, and crossed herself in a gesture of surprising beauty and grace. This time, Bernadette found she could respond, and after crossing herself, she began to feel calmer and a little less overwhelmed. Dropping to her knees, Bernadette began to pray her rosary. The little lady fingered her beads along with her. When they had finished, the tiny thing beckoned her to come closer, but Bernadette was too overawed to move. She then vanished, all smiles and delicate grace, leaving Bernadette to rejoin her companions.

Bernadette’s descriptions of the tiny, white maiden were consistent throughout the course of her visions. The apparition, whom she called aquero, or “that thing” in the local dialect, appeared youthful and girlish. There was nothing particularly matronly or maternal about her. Bernadette repeatedly said that aquero was about the same size as herself, if not a bit smaller. Bernadette was very small for her age. Although she had recently turned fourteen, the combined ravages of illness and malnutrition kept her about the size of an average 10- or 11-year-old. According to Bernadette’s earliest descriptions, aquero looked to be about 12 years old. This is an important distinction, and one that the well-meaning supporters of Lourdes apparently prefer to ignore.

Aquero, according to Bernadette’s initial descriptions, was a jeune fille; a bien mignonette, glowing in a white dress spun of a luxurious, soft, shiny stuff. Her head was covered in a white veil of the same magic fabric, so that only a tiny bit of her hair was revealed in the front. Her eyes were bright blue, and set in a long and very white face. The whole figure shone with a gleaming, white radiance. Around her waist was a blue girdle, which folded in the front and fell almost to the hem of her robe. Her tiny feet, barely visible beneath her robe, were bare, but each was adorned with a single, golden rose. Her rosary gleamed as well, with shining white beads and links of gold.

This costume is quite significant, for in this particular area of the Pyrenees, the locals maintained a tradition of fairy lore that told of the petito damizela in white who still lingered in the forests and grottoes of the region. When Bernadette first called the apparition a petito damizela, which translates as a petite, unmarried young lady, she may have actually been referring to aquero as a Pyrenean fairy woman. These Pyrenean fairies were tiny, enchanting ladies in glowing, white robes. Charming, helpful, and better natured than most fairy folk, they were recognized by their gleaming garments and said to spend much time washing them to snowy whiteness in the fountains outside their grotto homes.

The roses on aquero’s feet were yet another aspect of local fairy lore, as was Bernadette’s reluctance to call her by any name other than “that thing.” According to the tradition, these delightful fairy women sometimes married mortal men, making good wives and housekeepers – for a time. Eventually, the husband would slip up and call his fairy wife by her name, at which point she would disappear back into the fairy world forever.

In the Basque population of the Pyrenees, we have a unique link into the mindset of our most distant ancestors. There is reason to believe the Basques have occupied the Pyrenees region from the remotest antiquity, possibly even to the time of the Cro-Magnon cave painters. The inaccessibility of their mountain fastness kept them relatively isolated from the Indo-European influences that swept the rest of the continent. Consequently, the Basques have retained a unique language and a culture that, while not entirely untainted by foreign contact, still reveals roots reaching down into our most shadowy origins.

Furthermore, the Basques, with their extensive folklore and mythology, are relative latecomers to Roman Catholicism. Religious writers of the 1400 and 1500s continue to speak of the Basques as “gentiles” or “pagans.” The widespread persistence of their ancient beliefs and practices provoked the full wrath of the Spanish Inquisition. The brutal repression of centuries of witch hunts has left its mark, and clearly, some of the tradition that remains is highly adulterated and Christianized, but we can still trace influences extending far back into the Neolithic, and perhaps beyond.

Basque beliefs are rooted in the landscape, in the rugged mountains, the waters, and the caves reaching deep into the earth. They held to that most primitive fundamentalism, the belief in the divinity of the masculine Sun and the feminine Moon. The terms Ost or Eguzki refer to the light of the sun and their god of the firmament. This masculine force, similar to Zeus or Thor, ruled the day and the world of light, but the night belonged to Ilargia, the Moon. Ilargia ruled the hidden, dark side of nature, the underworld of the dead. The Basques were forever fascinated with her mysterious phases and cycles.

However, the Basque people’s deepest and most widespread devotion, long before the arrival of Christianity in the Pyrenees, centered on their female deity, the great goddess who lived in the caves. Her name, perhaps the ultimate irony, was Mari. Devotion to Mari spanned the entire Basque territory, and any respectable hilltop boasted a shrine to Mari, and a statue as well, but the caves remained her favorite habitation.

Within the vast lore and ritual dedicated to her worship, the image of Mari emerges, complex and glorious. She moved like a fireball from mountaintop to mountaintop, trailing wild storms from the subterranean caverns in her wake. She demanded honor and charity from men, punishing those who failed to keep their word or refused to help others. Oddly enough, tradition holds that Mari must only be addressed in the familiar pronoun, putting a unique twist on Bernadette’s surprise at being addressed formally by her aquero. Mari commanded legions of fairy spirits, with varying titles in different locales: the Mairi, or Maide of the mountaintop cromlechs and stone circles, and the fey laminak, often spotted combing their hair in the caverns.

This great and very ancient goddess spawned a vast body of tales and traditions, and the rituals of her devotees in the caves of the Pyrenees kept the Spanish Inquisition busy for years. One of her most vicious persecutors was Juan de Zumarraga, who, in 1528, assisted in the biggest Basque witchhunt. Zumarraga eventually moved on to Mexico, where, as bishop, he persecuted and destroyed the native Aztec culture and religion just as vigorously as he had brutalized his Basque brethren.

One of Mari’s more popular minions is a creature known as Beigorri, a red-haired bull or calf. One of several cattle deities associated with her worship, Beigorri’s chief function is to serve as the guardian of the houses, or shrines, of Mari. Seen in that light, the tales of a magical bovine unearthing a long-lost statue of a female divinity, which then refuses to be worshiped in a Christian sanctuary but instead draws her devotees back to congregate at her wilderness origins, starts to make a certain kind of sense. Perhaps, in these unique Marian traditions, which continue to spring up so freely, even after centuries of repression, we can trace both the reemergence of the Basque Mari, and her conflation, in the aftermath of the Inquisition, into the all-encompassing image of the Christian Mary.

Sources:

• Wikipedia
• Visions Of The Virgin Mary
• Pray More Novenas